New Making: Cultures of Quotidian Pottery and Porcelain Mending in the Long Eighteenth Century

新制作：漫长十八世纪的日常陶艺文化和瓷器修补文化

基本信息

批准号：
2908498
负责人：
金额：
--
依托单位：
University of Cambridge
依托单位国家：
英国
项目类别：
Studentship
财政年份：
2023
资助国家：
英国
起止时间：
2023 至无数据
项目状态：
未结题

来源：
https://gtr.ukri.org/projects?ref=studentship-2908498
关键词：
New Making Cultures Quotidian Pottery

项目摘要

My doctoral project will explore lower-status household pottery and porcelain mending in Britain between 1660 and 1830,championing these repair cultures as an important and under-studied facet of consumption in the long eighteenthcentury. The diverse practices of china-burning, metal-lacing, gluing, riveting, filling and wire-binding are often passedover by scholars and concealed by museological practice. Informed by new materialist and actor-network-theoreticperspectives, I will provide an innovative new study exploring ceramic repair as a 'remaking' where the agencies oftrades people, servants, ceramicists, householders, diners, cooks and materials intermixed. Research will combinetraditional archive and collections based methodologies with parallel experimental reconstructive approaches to drawvisual and textual material from MS receipt books, advertisements, trade cards, household accounts and probateinventories together with the rich landscape of ceramic collections and archeological assemblages which surroundCambridge. I will take my material sources predominantly from the Fitzwilliam Museum's unique Glaisher ceramics,collaborating with the Museum under the co-supervision of Keeper of European Sculpture and Decorative Arts DrVictoria Avery to integrate this often ignored and erased history into our broader understanding of eighteenth-centuryconsumption.

我的博士项目将探索 1660 年至 1830 年间英国地位较低的家用陶器和瓷器修理工作，将这些修理文化视为 18 世纪漫长的消费中一个重要且尚未得到充分研究的方面。烧瓷、金属系带、胶合、铆接、填充和线装等多种多样的做法常常被学者们忽视，并被博物馆实践所掩盖。在新唯物主义和行动者网络理论的视角下，我将提供一项创新性的新研究，探索陶瓷修复作为一种“重塑”，其中商人、仆人、陶艺家、户主、食客、厨师和材料混合在一起。研究将基于传统档案和收藏的方法与并行的实验重建方法相结合，从 MS 收据书、广告、交易卡、家庭账户和遗嘱认证库存中提取视觉和文本材料，以及剑桥周围丰富的陶瓷收藏和考古组合景观。我的材料来源主要来自菲茨威廉博物馆独特的格莱舍陶瓷，在欧洲雕塑和装饰艺术守护者维多利亚·艾弗里博士的共同监督下与博物馆合作，将这段经常被忽视和抹去的历史融入到我们对十八世纪消费的更广泛的理解中。