Performances and Audiences in Pindar's Victory Odes

品达胜利颂歌中的表演和观众

• 批准号: 112979/1
• 负责人: Andrew Morrison
• 金额: $ 1.79万
• 依托单位: University of Manchester
• 依托单位国家: 英国
• 项目类别: Research Grant
• 财政年份: 2006
• 资助国家: 英国
• 起止时间: 2006 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=112979%2F1
• 关键词: Performances; Audiences; Pindar; Victory; Odes

The first audience of Pindar's Victory Odes (5th century BC) has been central to the study of Pindar since the 1960s. But the ways, in which the odes manipulate not only the audience of the first performance but also the audience of subsequent performances, both overlapping the first audience and across a wider Greek world, has not been studied in depth. I examine the Sicilian odes of Pindar to explore how different audiences are exploited and accommodated, by analysing relevant features such as structure, myth, and indications of the circumstances of performance, from different audiences' points of view.

自1960年代以来，Pindar的胜利ODES（公元前5世纪）的第一批观众一直是Pindar研究的核心。但是，odes不仅可以操纵第一个表演的观众，而且还没有深入研究odes不仅可以操纵第一个表演的观众，而且还跨越了更广泛的希腊世界的观众来操纵观众。我通过分析相关特征（例如，从不同受众的角度来看，诸如结构，神话和表现环境的迹象），研究了Pindar的Sicilian Odes，以探索如何利用和容纳不同的受众。