State and Spectacle: Riot and the Cinematic Aesthetics of the Metropolitan Police

状态与景观：骚乱与伦敦警察厅的电影美学

• 批准号: 2444051
• 金额: --
• 依托单位: University of Sussex
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2020
• 资助国家: 英国
• 起止时间: 2020 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2444051
• 关键词: State; Spectacle; Riot; Cinematic; Aesthetics

My research has two central aims - to analyse aesthetic representations of the Metropolitan Police Forceand to understand how they intersect and interact with the wider discourses around the monitoring,control and representation of what Tiratelli has called the 'situational dynamics' of public space inLondon. Focusing on three key historical moments, the Notting Hill Riots of 1958, the Brixton Riots of1985 and the London Riots of 2011, I will explore the changing ways in which police forces have beenvisualised - and visualise themselves - both in terms of their role in everyday public life and in momentsof riot and spectacular political dissensus. My research will engage with the changing ways theserepresentations have intersected with the broader discourses of British identity, race and law and order.

我的研究有两个中心目标——分析大都会警察部队的美学表征，并了解它们如何与围绕蒂拉泰利所谓的伦敦公共空间“情境动态”的监视、控制和表征的更广泛的讨论相交叉和互动。我将重点关注三个关键的历史时刻，即 1958 年的诺丁山骚乱、1985 年的布里克斯顿骚乱和 2011 年的伦敦骚乱，探讨警察部队被形象化的不断变化的方式，以及他们在日常生活中所扮演的角色。公共生活以及骚乱和政治分歧的时刻。我的研究将涉及这些表述与英国身份、种族、法律和秩序等更广泛话语的交叉方式的变化。