The Structure of the Integration of the Reader's Horizon of Expectations into Soseki Studies

将读者的期望视野融入漱石研究的结构

• 批准号: 17520128
• 负责人: ISHIHARA Chiaki
• 金额: $ 1.65万
• 依托单位: Waseda University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2005
• 资助国家: 日本
• 起止时间: 2005 至 2007
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-17520128/
• 关键词: Natsume Soseki; the reader; a fallen woman student; cultivation of the mind; brain power; the theory of evolution; women's issues; the self; 漱石文学; 期待の地平

The purpose of this research project was to clarify how Natsume Soseki dealt with what in literary theory is called the reader's horizon of expectations (the set of expectations that readers bring to a literary text). In so doing, it becomes possible to understand what parts of his novels, representative works of late Meiji and early Taisho literature, correspond to their era and what parts transcend that era. The method adopted was to analyze a number of books that readers of the Asahi Shinbun, which was aimed at a readership consisting of the emerging middle class, can be presumed to have read and comparing them to the texts of the novels. My conclusion was that while Soseki, by incorporating the middle class reader's horizon of expectations , raised the status of the serialized novel, at the same time, by disappointing those expectations in certain respects, he attempted to raise the literary value of his works. This latter aspect of his works is certainly one reason they retain the … More ir value to this day.To give one example, in Sanshiro, where the present is approximately Meiji 40(1907), Soseki made the heroine, Satomi Mineko, into a typical former girl student. In this, he can be said to have incorporated the reader's horizon of expectations concerning the female student novel that was popular in the Meiji 30s. But Soseki did not allow Mineko to lose her innocence in the manner of a typical female student novel heroine, instead marrying her to the law graduate friend of her older brother, the head of the household, in accordance with his wishes. This is precisely the way of life set forth in the novels which can be called lessons for women, which expounded the lifestyle appropriate for women brought up in contemporary middle class households. As a result, we can speculate that many readers found it difficult to focus on a single set of expectations. In this way, Soseki, while conforming to the reader's horizon of expectations, simultaneously, in disappointing those expectations, protected his novel against the ravages of time. Less

Callyd Theord Theord Theord s的目的（读者带给文学文本的一组期望）。 ERA和RA的Whatscend选择了许多读者，该读者是针对新兴中产阶级的读者班级读者的期望范围同时提高了序列化小说的地位，使他失望的是一定的尊重，他试图赋予他作品的文学价值。举一个例子，在Sanshiro中，现在是Meiji 40（1907），Soseki使女主人公使读者的期望范围介绍了她的哥哥30年代的女性小说。根据他的愿望，家庭中的愿望正是在当代中产阶级家庭中为妇女提供的小说中的方式。以这种方式进行期望，同时又符合读者，使他们的小说免受时间的流逝

项目成果

学生という階級

学生班级

• 发表时间: 2006
• 期刊: 本
• 作者: 宮崎真素美;遠藤一郎;山口俊雄;南 富鎭;掛野 剛史;庄司 達也;Nan Bujin;TUyoshi Kakeno;南 富鎭;掛野 剛史;掛野 剛史;TUyoshi Kakeno;Kinya Sugiyama;杉山 欣也;石原千秋;石原千秋
• 通讯作者: 石原千秋

結婚の前夜に

婚礼前一天晚上

• 发表时间: 2006
• 期刊: 本
• 作者: 宮崎真素美;遠藤一郎;山口俊雄;南 富鎭;掛野 剛史;庄司 達也;Nan Bujin;TUyoshi Kakeno;南 富鎭;掛野 剛史;掛野 剛史;TUyoshi Kakeno;Kinya Sugiyama;杉山 欣也;石原千秋;石原千秋;石原千秋;石原千秋;石原千秋;石原千秋;石原千秋;石原千秋;石原千秋;石原千秋;石原千秋;石原千秋
• 通讯作者: 石原千秋

バックラッシュ!「新しい女」

“新女性”反弹！

• 发表时间: 2006
• 期刊: 本
• 作者: 宮崎真素美;遠藤一郎;山口俊雄;南 富鎭;掛野 剛史;庄司 達也;Nan Bujin;TUyoshi Kakeno;南 富鎭;掛野 剛史;掛野 剛史;TUyoshi Kakeno;Kinya Sugiyama;杉山 欣也;石原千秋;石原千秋;石原千秋;石原千秋;石原千秋;石原千秋;石原千秋
• 通讯作者: 石原千秋

百年前の私たち

一百年前的我们

• 发表时间: 2007
• 作者: 宮崎真素美;遠藤一郎;山口俊雄;南 富鎭;掛野 剛史;庄司 達也;Nan Bujin;TUyoshi Kakeno;南 富鎭;掛野 剛史;掛野 剛史;TUyoshi Kakeno;Kinya Sugiyama;杉山 欣也;石原千秋;石原千秋;石原千秋;石原千秋;石原千秋;石原千秋;石原千秋;石原千秋;石原千秋;石原千秋;石原千秋;石原千秋;石原千秋;石原千秋;石原千秋;石原 千秋
• 通讯作者: 石原 千秋

危険しそうだった「自我」

看似危险的“自我”

• 发表时间: 2006
• 期刊: 本
• 作者: 宮崎真素美;遠藤一郎;山口俊雄;南 富鎭;掛野 剛史;庄司 達也;Nan Bujin;TUyoshi Kakeno;南 富鎭;掛野 剛史;掛野 剛史;TUyoshi Kakeno;Kinya Sugiyama;杉山 欣也;石原千秋;石原千秋;石原千秋;石原千秋;石原千秋;石原千秋;石原千秋;石原千秋
• 通讯作者: 石原千秋