A Study of Noctes Ambrosice

诺克特斯·安布罗西斯的研究

基本信息

批准号：
14510506
负责人：
TAKAHASHI Kazuhisa
金额：
$ 1.98万
依托单位：
The University of Tokyo
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2002
资助国家：
日本
起止时间：
2002 至 2004
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-14510506/
关键词：
Enlightenment optics illusion town city vernacular supernatural

项目摘要

The urban culture of Edinburgh in the early 19^<th> century, while inheriting a rich legacy of the Scottish Enlightenment, was keenly aware of what was happening in the literary scene of London, which was at that time experiencing the transition from Classicism to Romanticism. It boasted of its refinement and sophistication, but on the other hand it could not get rid of Scottish vernacular styles, which were supposed to be too backward and opposed to refinement. This situation is clearly reflected in Noctes Ambrosiae, an extremely popular serial in Edinburgh Blackwoods Magazine. This fictitious round-table talk had as its principal participants 'Christopher North' (John Wilson) and 'the Shepherd' James Hogg), who provide interesting material for exploring the paradoxes and conflicts inherent in the urban culture, because their role-playing exhibits a strong contrast ; 'North' speaks in what is called Standard English, whereas 'the Shepherd' in broad vernacular. This research focuses on optics as the central arena for a struggle between a rationalist view (shown by 'North') and a traditional view (by 'the Shepherd) on the supernatural. What is to be noted is that the supplement to the 3^<rd> edition of the Encyclopaedia Britannica (1801) and its 4^<th> edition (1810) had much more extensive entries on optical matters than before, and that one enlightening book by David Brewster, a prominent intellectual at that time, detailed optical apparatus which produced 'marvellous' phenomena and explained apparently supernatural events in strictly scientific terms. Referring to these discussions, this research carefully analyses the subtle rendering of the supernatural in Hogg's Three Perils of Man published in 1822, the zenith of Noctes's fame ; 'marvellous' illusions are described, significantly, from two different perspectives represented by 'North' and 'the Shepherd'. This is a ingenious form of retaliation by Hogg, who was basically deformed as 'the Shepherd' in Noctes.

爱丁堡的城市文化在19世纪初期继承了苏格兰启蒙运动的丰富遗产，但他敏锐地意识到伦敦文学界正在发生的事情，伦敦的文学界正在发生什么，当时正经历着从古典主义到浪漫主义的过渡。它吹嘘了它的精致和精致，但另一方面，它无法摆脱苏格兰的白话风格，这些风格本来应该落后和反对精致。这种情况显然反映在noctes Ambrosiae，这是爱丁堡Blackwoods杂志中极为流行的连续剧。这次虚构的圆桌谈话是其主要参与者“克里斯托弗·北”（Christopher North）（约翰·威尔逊（John Wilson））和“牧羊人”詹姆斯·霍格（James Hogg），他们为探索城市文化中固有的悖论和冲突提供了有趣的材料，因为他们的角色扮演表现出强烈的对比； “北”用所谓的标准英语讲话，而“牧羊人”在广阔的白话中。这项研究的重点是光学作为理性主义观点（由'North'显示）与超自然现象的传统观点（由“牧羊人”）之间进行斗争的中心舞台。需要指出的是，《英国百科全书》（1801）及其4^<th>版（1810年）的补充是关于光学事务的4^<th>版（1810年），比以前更为广泛，这是一本启发性的书，戴维·布鲁斯特（David Brewster）的一本启发性的书，戴维·布鲁斯特（David Brewster），这是一个杰出的智力，在那个时候，详细阐述了详细的事件，详细阐述了``玛丽''sarventern'sarvernation'sarvernation'sarverance'sarver''''sarvelos'sarvelose'sarvelose'''Marvel''科学术语。在谈到这些讨论时，这项研究仔细地分析了霍格（Hogg）在1822年出版的《霍格（Hogg）的三个危险》中的微妙渲染，即《诺克特斯》（Noctes）名气的顶峰；从“北方”和“牧羊人”代表的两个不同的角度来描述了“奇妙的”幻想。这是霍格（Hogg）的一种巧妙形式的报复形式，他基本上在夜间被视为“牧羊人”。