Study of style and design on temples and shrines in the momoyama-edo period

桃山江户时代寺庙和神社的风格和设计研究

基本信息

批准号：
12650649
负责人：
SAKURAI Toshio
金额：
$ 1.6万
依托单位：
Kinki University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2000
资助国家：
日本
起止时间：
2000 至 2001
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-12650649/
关键词：
Temples and shrines in modern times HONDEN in shrinr Main-hall in the modern times Momoyama-period style Edo-period style Detail design in the modern times District design in temples and shrines in the modern times Construction of temples an

项目摘要

Here it is summarized the points mainly from style and design of temples and shrines in the Momoyama and edo era. Details are given under. Shrine architecture (Honden)The representative shrine type in the modern times is Honden-complex, what is called, the GONGENZUKURI like those of the Kitano-tenmaguh and the Tohshohguh. By examining their roots and making a comparative study of these kinds of architecture, it could be made clear the characteristics of style and design in the modern times.In the GONGENZUKURI there are two types of roots : one is as it were HACHIMANGUH family, the other is TENMAGUH family. The Honden of the former type is Nagare-zukuri, the latter Irimoya-zukur. And in the modern times each shape of Honden gradually changed into the belonged shape and made a Honden-mplex connecting with Haiden and Heiden after the Kitano-tenmaguh and the famous Tsurugaoka^hachimanguh in the Kantoh area. Before this tendency it is ascertained that the preparation was in progress gradual … More ly. Also in the Kansai area there is a distinction in detail design like Eyouh, Kurigata, Gokusaishiki and using method of sculpture of which parts constitute the design of Momoyama style.In the Kansai area it is recognized that Osaka and Kyoto have the different parts in making and completing Momoyama style. In in the Kansai area they colured Honden with many kinds of paints. On the other hand, in the Kantoh area they do not use color but sculptures surround Honden instead especially in the late Edo period. In Osaka instead of sculptures they use Eyouh, Kurigata, and Gokusaishiki. In Hyohgo they adopted Degumi to Nagare-zukuri styoe Honden in the Muromachi era, moreover Futatesaki in the Edo period. But in the Kantoh area they adopted Futatesaki with Odarukito Nagare-zukuri style Honden in later half of the Edo period.Temple at chitecture : Many large architecture in the modern times has the Sechuhyou-stype. In addition to that, there are some characteristic families like famous Saigoku 33 temples, and traditional old Mikkoyou temples. On the other hand, temples of the Kamakura-shin-bukkyou, especially in the Nichiren-sect temple main hall Zen sect-style was introduced at the Naijin, but in the Jyoudo and Jyoudo-shinshuh sect it was very humble in style except the head temples. The Matsuji-temple which belonged to lower class were not used Kuminomo except on Raigoh-hashira. So generally speaking the style and shape was very humble.Temples in the modern times were very different in plan by each sect, in the place where they were built and in the head or branch temple. These character is by far the stronger than the difference of each district. In the Kansai area they use Wayoh-style and do not introduce Zen-sect style easily, till the end of the Edo era. On the contrary, in the Kantoh area they use Zen-sect style all the time since the end of the Muromachi period. This tradition lasted long and influenced environs.Tatenoborase-hashira which were used in large architecture, keeping in step with completion of Koyagumi, is useful and effective in making dwelling like temple into full-scale Hndoh especially in the Jyohdo and Jyohdo-shinshuh sects.Construction and design : The most characteristic construction in the modern times is Tatenoborase-hashira. It relates deeply with large and representative architecture along with the usage of Setchyuhyo-style by inserting Sashihijiki into it. Getting large and grand space made main hall as a one space body.On the other hand, in the field of shrine architecture there is a clear distinction between Kansai-district and the Kantoh area, in detail there are some more distinction in the Kansai area. Less

在这里总结了主要来自Momoyama and Edo时代寺庙和神社的风格和设计的观点。详细信息以下。神社建筑（Honden）现代的代表性神社类型是Honden-Complex，所谓的Gongenzukuri，就像Kitano-Tenmaguh和Tohshohguh一样。通过检查其根源并对这类建筑进行比较研究，可以清楚地清楚现代风格和设计的特征。在Gongenzukuri中，有两种类型的根源：一种是Hachimanguh家族，另一个是Tenmaguh家族。前者的洪多是纳加雷·祖库里（Nagare-Zukuri），后者是irimoya-zukur。在现代，洪多的每种形状都逐渐变成了归属的形状，并在kitano-tenmaguh和著名的kantoh地区与haiden and Heiden建立了与Haiden和Heiden的连接。在这种趋势之前，人们可以确定准备工作正在进行中……更加行列。同样在Kansai地区，例如Eyouh，Kurigata，Gokusaishiki等细节设计也有一个区别，并使用雕塑方法构成Momoyama风格的设计。在Kansai地区，大阪和京都在制作和完成Momoyama风格方面具有不同的部分。在关西地区，他们用多种涂料整理了洪都女。另一方面，在Kantoh地区，他们不使用颜色，而是在Honden周围的雕塑，尤其是在江户时代晚期。在大阪而不是雕塑中，他们使用Eyouh，Kurigata和Gokusaishiki。在Hyohgo，他们在Muromachi时代的Nagare-Zukuri Styoe Honden采用了Degumi，此外还有江户时代的后代。但是在坎托地区，他们在江户时期后期以田园的odarukito nagare-zukuri风格采用了期货。除此之外，还有一些特色家庭，例如著名的Saigoku 33寺庙和传统的旧Mikkoyou寺庙。另一方面，在Naijin介绍了Kamakura-Shin-Bukkyou的寺庙，尤其是在Nichiren Severs Main Hall Zen Sect Style的寺庙，但在Jyoudo和Jyoudo-Shinshuh教派中，它的风格非常谦虚。除了raigoh-hashira外，属于下层阶级的松ji-temple未使用kuminomo。因此，总的来说，说的风格和形状是非常谦虚的。在现代，每个教派，在建造的地方以及在头部或分支庙里的地方都大不相同。这些角色到目前为止比每个地区的差异都要强。在Kansai地区，他们使用Wayoh风格，并且直到江户时代结束时都不会轻易引入Zen-Sect风格。相比之下，自穆拉奇时期结束以来，他们一直在坎托地区使用Zen-sect风格。 This tradition lasted long and influenced environments.Tatenoborase-hashira which were used in large architecture, keeping in step with completion of Koyagumi, is useful and effective in making dwelling like temple into full-scale Hndoh especially in the Jyohdo and Jyohdo-shinshuh sects.Construction and design: The most characteristic construction in the modern times is Tatenoborase-hashira.通过将Sashijiki插入其中，它与大型和代表性的建筑与Setchuhyo风格的使用深度息息相关。在神社建筑领域中，在Kansai-District和Kantoh地区之间有明显的区别，在另一只手领域，将大型空间变成了一个空间。较少的