Study of style and design on temples and shrines in the momoyama-edo period

桃山江户时代寺庙和神社的风格和设计研究

基本信息

批准号：
12650649
负责人：
SAKURAI Toshio
金额：
$ 1.6万
依托单位：
Kinki University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2000
资助国家：
日本
起止时间：
2000 至 2001
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-12650649/
关键词：
Temples and shrines in modern times HONDEN in shrinr Main-hall in the modern times Momoyama-period style Edo-period style Detail design in the modern times District design in temples and shrines in the modern times Construction of temples an

项目摘要

Here it is summarized the points mainly from style and design of temples and shrines in the Momoyama and edo era. Details are given under. Shrine architecture (Honden)The representative shrine type in the modern times is Honden-complex, what is called, the GONGENZUKURI like those of the Kitano-tenmaguh and the Tohshohguh. By examining their roots and making a comparative study of these kinds of architecture, it could be made clear the characteristics of style and design in the modern times.In the GONGENZUKURI there are two types of roots : one is as it were HACHIMANGUH family, the other is TENMAGUH family. The Honden of the former type is Nagare-zukuri, the latter Irimoya-zukur. And in the modern times each shape of Honden gradually changed into the belonged shape and made a Honden-mplex connecting with Haiden and Heiden after the Kitano-tenmaguh and the famous Tsurugaoka^hachimanguh in the Kantoh area. Before this tendency it is ascertained that the preparation was in progress gradual … More ly. Also in the Kansai area there is a distinction in detail design like Eyouh, Kurigata, Gokusaishiki and using method of sculpture of which parts constitute the design of Momoyama style.In the Kansai area it is recognized that Osaka and Kyoto have the different parts in making and completing Momoyama style. In in the Kansai area they colured Honden with many kinds of paints. On the other hand, in the Kantoh area they do not use color but sculptures surround Honden instead especially in the late Edo period. In Osaka instead of sculptures they use Eyouh, Kurigata, and Gokusaishiki. In Hyohgo they adopted Degumi to Nagare-zukuri styoe Honden in the Muromachi era, moreover Futatesaki in the Edo period. But in the Kantoh area they adopted Futatesaki with Odarukito Nagare-zukuri style Honden in later half of the Edo period.Temple at chitecture : Many large architecture in the modern times has the Sechuhyou-stype. In addition to that, there are some characteristic families like famous Saigoku 33 temples, and traditional old Mikkoyou temples. On the other hand, temples of the Kamakura-shin-bukkyou, especially in the Nichiren-sect temple main hall Zen sect-style was introduced at the Naijin, but in the Jyoudo and Jyoudo-shinshuh sect it was very humble in style except the head temples. The Matsuji-temple which belonged to lower class were not used Kuminomo except on Raigoh-hashira. So generally speaking the style and shape was very humble.Temples in the modern times were very different in plan by each sect, in the place where they were built and in the head or branch temple. These character is by far the stronger than the difference of each district. In the Kansai area they use Wayoh-style and do not introduce Zen-sect style easily, till the end of the Edo era. On the contrary, in the Kantoh area they use Zen-sect style all the time since the end of the Muromachi period. This tradition lasted long and influenced environs.Tatenoborase-hashira which were used in large architecture, keeping in step with completion of Koyagumi, is useful and effective in making dwelling like temple into full-scale Hndoh especially in the Jyohdo and Jyohdo-shinshuh sects.Construction and design : The most characteristic construction in the modern times is Tatenoborase-hashira. It relates deeply with large and representative architecture along with the usage of Setchyuhyo-style by inserting Sashihijiki into it. Getting large and grand space made main hall as a one space body.On the other hand, in the field of shrine architecture there is a clear distinction between Kansai-district and the Kantoh area, in detail there are some more distinction in the Kansai area. Less

这是Momoyama和Edo时代的寺庙和神社的风格和设计的总结。 Tohshohguh。 Zukuri，后者的Irimoya-Zukur断言准备工作正在进行逐渐...更详细的设计，例如eyouh，kurigata，并使用雕塑的方法，即在Kansai地区的Momoyal E. Habe在野马队的盛装时期，尤其是在大阪的晚期，他们都会制作和完成Momoyama风格。在Muromachi时代，Harea的Furetatesaki在Edo时期的Odarukito Nagare-Zukuri风格中采用了Futatesaki。另一方面，传统的Mikkoyou神庙，kamakura-shin-bukkyouu的寺庙，尤其是在寺庙主厅Zen风格中，在Toe Naijin，jyoudo-shinshuhhhus ery bumble toe naijin属于下层的kuminomo，除了raigoh-hashira上。与每个地区的差异。 is USFUL and EFECTIVE in MAKING DWELLING LIKE TEMPLE INTO FULL-SCALE HNDOH ESPECIALLY INDO AND JYOHDO-SHINSHUHHUHHUHHUHHUHHUHHUHHUHHUHHUHHUHHUHHUHHUHHUHHUHHUHHUHHUHUH C some T some T some T some T some T some T some time N Times is tatenoborase-hashira. ing Sashihihijiki Into It. TINCTION BETWEEN KANSAI - 分区和TOH地区，详细介绍了Kansai地区的更多区别