METHODS OF "CONTEMPORARY CHILDREN'S LITERATURE" : MAJOR DEVELOPMENT IN THEORY AND NARRATIVE PRAXIS

“当代儿童文学”的方法：理论与叙事实践的重大发展

• 批准号: 07610525
• 负责人: SATO Motoko
• 金额: $ 0.64万
• 依托单位: CHIBA UNIVERSITY
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 1995
• 资助国家: 日本
• 起止时间: 1995 至 1996
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-07610525/
• 关键词: Contemporary children's literature; Anti- "Dowa" movement; Japanese children's literature; Realism; Fantasy

1. (1) In this research, the circumstances of children's literature betwenn 1955-1964 are reconsidered, mainly focused on criticisms published in Japan Children's Literature. Points of this examination are as followed : that 'realism' and 'subjectivity' were emphasized in this critical activity in late 1950s, that an unity of sociability and interest was accomplished in longer works around 1960, so was a pursuit of imagination, and that two genres, 'realism' and 'fantasy', were established after 1960.(2) Much attention should be paid to the important role in which Takayama Tsuyoshi playd in 1950s, to the trend of general literary criticism in those days, and to the negative attitude which some specialists of foreign children's literature showed against the tendency of easy applauding to western works.(3) It is necessary to compare the contemporary comments on longer works with the up-to-date comments on them.(4) On surveying a situation of children's literature, every continuous series published during this period must be studied intensively, including especially that of detective stories or that of retold stories.2.Some literary comments are easily found which touched even upon the cultural circumstances. So it is obvious that children's literature was very sensitive to mass media.It must be hereafter studied in each work how the ideal 'growth' was realized and whether the 'communication' expected was actualized.

1.（1）本研究重新审视1955-1964年间儿童文学的状况，主要关注日本儿童文学中发表的批评。考察要点如下：1950年代后期的批判活动强调了“现实主义”和“主观性”；1960年左右的长篇作品实现了社交性和趣味性的统一；对想象力的追求；以及1960年后确立了“现实主义”和“幻想主义”两种流派。(2)值得重视的是高山刚在其中所扮演的重要角色。 20世纪50年代，针对当时普遍文学批评的思潮，以及一些外国儿童文学专家对西方作品的轻易拍手倾向所表现出的消极态度。(3)比较当代长篇作品的评论是必要的。 （4）从儿童文学的概况来看，这一时期出版的每一个连续剧都必须深入研究，特别是侦探小说或重述小说。2.一些文学作品评论很容易找到甚至触及文化环境的内容。由此可见，儿童文学对于大众传媒的敏感度是非常高的。理想的“成长”是如何实现的，所期待的“传播”是否得以实现，是今后每部作品都必须研究的问题。

项目成果

佐藤宗子: "「現代児童文学」の出発を問い直す" 日本近代文学. 54集(予定). (1996)

佐藤宗子：“重新思考‘现代儿童文学’的开端”《现代日本文学》第 54 卷（计划）（1996 年）。

佐藤宗子: "「成長」という名づけ-児童文学における読者の期待と読書の満足をめぐって-" 日本児童文学. 41巻9号. 14-21 (1995)

佐藤宗子：“命名‘成长’——读者对儿童文学的期望和阅读的满意度——”日本儿童文学，第41卷，第9期。14-21（1995年）。