Study of Architectural topo-logy on genesis of paysage

风景成因的建筑拓扑学研究

基本信息

批准号：
06650707
负责人：
KATO Kunio
金额：
$ 1.41万
依托单位：
KYOTO UNIVERSITY
依托单位国家：
日本
项目类别：
Grant-in-Aid for General Scientific Research (C)
财政年份：
1994
资助国家：
日本
起止时间：
1994 至 1995
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-06650707/
关键词：
place khora construction site research genius loci paysage architectural work milieu Sein (Being)建築的風景ル・コルビュジエLe Corbusier コーラkohra ゲニウス・ロキGeniusu Loci アルケ-archeとテロスtelos 自己実現ラ・トゥーレット修道院Couvent de La Tourette 景観生成歩行経路のト

项目摘要

Genesis of architectural paysage can be understood as a simultaneous and total phenomena, constituted by 2 moments, firstly an architectual creation (poiesis) and secondarily "paysage" apparition in which architectural work is included. About all of Le Corbusier's works, building site context and architectual proto-type were examined. We then find out certain significant category-types concerning a realization of "paysage". These are 1) architectural path (promenade architecturale) which is one of basic elements, vector forming agent of topo-logical domain, 2) setting of floating horizontal plan by means of "piloti, toit-jardin", etc., 3) vertical movement such as standing-up and rising-up toward a sky. Plastic forms of Le Corbusier's works representing these movement operate as a signal in space a virtual movement of man who habitate them.On other hand, as a spatial meaning, we find out several category-types. These are 1) descent toward a infinite depth, 2) pastoral dream in Vergilia … More n poetic sense, 3) interiority as being in a cave, or "grotto", symbol of womb, 4) sea image as a reflector of existential depth. Above mentioned 3 significant works (La Villa Savoye (1929), La Chapelle de Ronchamp (1951), Le Couvent de la Tourette (1957) to which we can probably add L'United' Habitation de Marseilles) are representative examples concretising these categoric-archetype and realizing existential space.We have then described structurally architect's creative process, from archetype classified by material (hyletic) and formal (eidetic) through different qualitative phases of "heideggerian thing (das Ding or dingen), in the term of "incarnation", coming forth concealed under a formal phenomena. A finalty of this becoming is a realization of a true Architectural Paysage.All these dynamic architectural process, could be resumed thematically as "Basho" or place, synonym of "Oitearu" in NISHIDA philosophy based on "Basho-no-ronri", with a close relationship to platonic khora and roman genius-loci. This study is accompanied by Kamigamo-Shrine site analysis and ritual interpretation, that furnished a concrete base for topo-analysis on architectural work. Less

建筑景观的起源可以理解为一种同时发生的整体现象，由两个时刻组成，首先是建筑创作（poiesis），其次是“景观”幻影，其中包括勒·柯布西耶的所有作品、建筑场地环境和建筑作品。然后，我们对建筑原型进行了检查，找出了与“风景”的实现相关的某些重要类别类型，这些是1）建筑路径（promenadearchitecturee），这是基本元素之一，拓扑域的矢量形成剂，2）通过“piloti、toit-jardin”等设置浮动水平平面，3）垂直运动，例如站立和向天空上升的塑料形式。勒·柯布西耶的作品代表了这些运动，作为居住在其中的人的虚拟运动的空间信号。另一方面，作为一种空间意义，我们发现了几种类别类型，它们是：1）向无限深度下降，2）。田园的维吉利亚的梦想……更多诗意，3）内在性，就像在洞穴或“石窟”中，子宫的象征，4）海洋图像作为存在深度的反射器（La Villa Savoye，1929）。、La Chapelle de Ronchamp (1951)、Le Couvent de la Tourette (1957)（我们可以在其中添加 L'United' Habitation de Marseilles）都是代表性的例子然后，我们从结构上描述了建筑师的创作过程，从按材料（hyletic）和形式（eidetic）分类的原型到“海德格尔事物（das Ding或dingen）的不同定性阶段，术语隐藏在形式现象之下的“化身”的最终结果是真正的建筑风景的实现。所有这些建筑动态过程，都可以。主题上恢复为“芭蕉”或地方，是基于“芭蕉之论”的西田哲学中“Oitearu”的同义词，与柏拉图的科拉和罗马的天才地点有着密切的关系。这项研究伴随着上贺茂神社遗址。分析和仪式解释，为建筑作品的地形分析提供了具体的基础。