Cristóbal de Morales and the early modern Magnificat

克里斯托瓦尔·德·莫拉莱斯和早期现代的圣母颂

• 批准号: 283398871
• 负责人: Professorin Dr. Christiane Wiesenfeldt
• 金额: --
• 依托单位: Musikwissenschaftliches Seminar
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2015
• 资助国家: 德国
• 起止时间: 2014-12-31 至 2017-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/283398871?language=en
• 关键词: Crist; bal; de; Morales; early

The aim of the given project is to depict the history of the early modern Magnificat depending on Cristóbal de Morales Magnificat cycle, with 14 editions the by far most wide-spread setting of the Canticum in 16th century Europe. The study follows the guiding assumption that the reason for the enormous international popularity of his cycle lies within the composition itself and that the archetypal character ascribed to the cycle in many contemporary documents was the result of a merging of various compositional models Morales drew from the extensive Magnificat repertoire he had access to in Seville and Rome. In a first step Morales Magnificat will be analyzed regarding their relation to 15th and early 16th century Magnificat traditions preserved in Spanish and Roman sources. Second it will be examined to what extend Morales cycle served as an archetype for succeeding Magnificat composers. As late 16th century Italian and Spanish theory treatises frequently refer to Magnificat of Morales, criteria for analysis can be obtained, that will be applied to trace the compositional reception of his Cantica in the second half of the 16th century. According to a reception topography drawn from the dissemination of his prints Spanish, Italo-Roman and German Magnificat will be analyzed in regard of their dependence on Morales as a model. By doing so the history of the early modern Magnificat can not only be depicted on the basis of a vast and yet empirically evident genealogy of compositional borrowing, the role of Morales as a historical key figure between Josquin and Palestrina can also be highlighted as can the long neglected eminence of Spanish composers in early European music history.

Cristobal de Morales Maglificat Cycle的早期现代莫利的历史的目的是16世纪CANTICUM的最广泛的环境。在许多现代文档中，各种构图模型的融合在塞维利亚和罗马中都将归因于莫拉莱斯的许多当代文档。其次，它将被检查为莫拉莱斯周期是成功的Magnificat插曲的原型。从他的印刷品传播西班牙语中，Italo-Roman和German Magnificat将以莫拉莱斯作为模型的依赖进行分析。俄亥俄州的作品借用强调，在欧洲早期音乐史上长期以来忽视了西班牙作曲家的杰出。