Collaborative Composing in the Early Modern Period

近代早期的合作作曲

• 批准号: 508410799
• 负责人: Professorin Dr. Christiane Wiesenfeldt
• 金额: --
• 依托单位: Musikwissenschaftliches Seminar
• 依托单位国家: 德国
• 项目类别: Research Grants
• 资助国家: 德国
• 项目状态: 未结题
• 来源: https://gepris.dfg.de/gepris/projekt/508410799?language=en
• 关键词: Collaborative; Composing; Early; Modern; Period

The aim of the project is to systematically illuminate the phenomenon of collaborative composing from the late 15th to the early 17th century in various case studies. The focus is on works and groups of works that were created by more than one actor. The question is 1. which different motivations can lie behind the practice of involving several actors in the composition process and sharing the process of composing with each other, 2. which conditions must be given for this to happen, and 3. in which models collaborative composing takes place. The sources considered in the case studies do not exclusively comprise "complete works" or "personal sources", i.e. collections tailored to the repertoire (and performances) of individual composers, but also hitherto often neglected, fragmentary source types and working sources, which in many respects provide a view of production-aesthetic processes for the first time. The aim is to broaden the perspective on early modern compositional processes, but also on established categories such as work and author.

该项目的目的是在各种案例研究中系统地阐明从15世纪末至17世纪初的合作现象。重点是由多个演员创造的作品和作品群体。问题是1。哪些不同的动机可能在于使几个参与者参与组成过程并彼此共享的过程，2。必须给出哪些条件。3。作曲发生。案例研究中考虑的来源并不仅仅包括“完整的作品”或“个人资源”，即针对单个作曲家的曲目（和表演）量身定制的收藏，但迄今也经常被忽略的，零碎的源源类型和工作来源，这些来源和工作来源在这些源源词中，这是许多方面首次提供了生产和审美过程的看法。目的是扩大对早期现代构图过程的观点，以及诸如工作和作者之类的既定类别。