Music about music – self-parodies in the early modern mass

关于音乐的音乐——早期现代大众的自我模仿

• 批准号: 524868931
• 负责人: Professorin Dr. Christiane Wiesenfeldt
• 金额: --
• 依托单位: Musikwissenschaftliches Seminar
• 依托单位国家: 德国
• 项目类别: Research Grants
• 资助国家: 德国
• 项目状态: 未结题
• 来源: https://gepris.dfg.de/gepris/projekt/524868931?language=en
• 关键词: Music; about; music; self; parodies

The project is devoted to the hitherto unexplored phenomenon of composing polyphonic masses on one’s own models – a phenomenon first observed in the early 15th century, with increasing popularity in the 16th century. For this purpose, a corpus of about 130 mass compositions will be questioned about its techniques and concepts of translating own music into new, own music. Using the example of self-parody, the aim of the project is both to appraise translational approaches for musicological Renaissance research and to highlight the historical period from c. 1420 to 1600 as a significant era of changes in composing polyphonic masses. If these techniques of self-borrowing are understood as part of a cultural, discursive environment, the complex formation of the composer’s identity, which developed in the 15th and 16th century, can be discussed and deciphered from their objects, and thus in turn become interdisciplinary. In cooperation with the project Citations: The Renaissance Imitation Mass Project (CRIM), tools of computer-aided analysis will be used, which are ideally suited for the examination of intertextual references. The data obtained will also be entered into the Mainz MassDataBase (MDB) as part of a cooperative project.

该项目致力于研究迄今为止尚未探索过的根据自己的模型创作复调弥撒的现象——这种现象在 15 世纪初首次被观察到，并在 16 世纪越来越受欢迎。为此，将对约 130 首弥撒作品的语料库进行质疑。关于将自己的音乐转化为新的、自己的音乐的技术和概念，该项目的目的是评估音乐学文艺复兴研究的转化方法。强调从 1420 年到 1600 年这一历史时期是复调音乐创作发生重大变化的时期。 15 和 16 世纪的作品可以从它们的对象中进行讨论和解读，从而反过来成为跨学科的，与引用项目合作：文艺复兴时期的模仿大规模项目。 （CRIM），将使用计算机辅助分析工具，这些工具非常适合互文参考文献的检查，所获得的数据也将作为合作项目的一部分输入美因茨大众数据库（MDB）。