Genre and confessional strife: Nuremberg-Antwerp 1500-1570. From Dürer and the Beham Brothers to Dirk Vellert and Jan van Amstel.

流派和忏悔冲突：纽伦堡-安特卫普 1500-1570。

• 批准号: 275603308
• 负责人: Professor Dr. Jürgen Müller
• 金额: --
• 依托单位: Institut für Kunst- und Musikwissenschaft
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2015
• 资助国家: 德国
• 起止时间: 2014-12-31 至 2017-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/275603308?language=en
• 关键词: Genre; confessional; strife; Nuremberg; Antwerp

The main aim of the project is to gain information about the way Nuremberg genre-art in the wake of Dürer influenced the production of genre-motifs in contemporary Antwerp, and especially the emerging art of genre-painting. This is achieved by a three-level approach, focussing on material transport and iconographic transfer of genre-topics from Nuremberg to Antwerp between 1500 and 1570 as well as on the "trade" in religious allusions. So far, the creative impulse, novelty and influence of the Nuremberg production hat not been systematically researched and neither has the considerable role it played in the development of genre-painting been sufficiently acknowledged.The topic is investigated with special regard to confessional conflicts, as genre-art at that period, far from simply depicting 'reality', always conveys religious resp. theological subtexts and meanings.

该项目的主要目的是了解丢勒之后的纽伦堡流派艺术如何影响当代安特卫普流派主题的产生，特别是新兴的流派绘画艺术。这是通过三项研究来实现的。层次方法，重点关注1500年至1570年间从纽伦堡到安特卫普的流派主题的物质运输和图像转移，以及宗教典故中的“贸易”。迄今为止，纽伦堡作品的创作冲动、新颖性和影响力尚未得到系统研究，其在风俗绘画发展中所发挥的重要作用也尚未得到充分认识。 -那个时期的艺术远非简单地描绘“现实”，总是传达宗教的潜台词和意义。

项目成果

Pieter Bruegel the Elder and Religion

老彼得·勃鲁盖尔与宗教

• DOI: 10.1163/9789004367579
• 发表时间: 2018
• 作者: Kaschek;Bertram; Müller;Jürgen (Hg.)
• 通讯作者: Jürgen (Hg.)