Undetermined baroque poetry. Poetic and confessional ambiguity in Silesia as cultural dynamic factors of a new German poetry (1620-1742)

未确定的巴洛克诗歌。

• 批准号: 411076289
• 负责人: Professor Dr. Jörg Wesche
• 金额: --
• 依托单位: Seminar für Deutsche Philologie
• 依托单位国家: 德国
• 项目类别: Research Units
• 财政年份: 2018
• 资助国家: 德国
• 起止时间: 2017-12-31 至 2021-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/411076289?language=en
• 关键词: Undetermined; baroque; poetry.; Poetic; confessional

The project is set in Early Modern times. It turns to the question what effects the very special diversity and dynamic of religious politics in the duchy of Silesia deployed on German baroque poetry. In the systematic context of the research group "Ambiguität und Unterscheidung: Historisch-kulturelle Dynamiken" the field of interaction of poetical and confessional ambiguity stands in the centre of interest. The exploratory interest focusses on the main agents of Silesian poetry (besides Opitz especially Andreas Gryphius, Hoffmann v. Hoffmannswaldau, Daniel Caspar v. Lohenstein, Johann Christian Hallmann, Benjamin Neukirch und Christian Gryphius). The textual output of these authors comprises a wide range of different sorts of literature which incorporates lyric, dramatic and panegyric forms. Closely tied to this is baroque poetics. The text corpus provides the fundament to display in detail how means of expression and pragmatic aims of ambiguity are discussed in order to get a binding norm. As a result, the spaces and margins of ambiguity and their progression in a historic understanding are contoured.Given the fact that the interplay between poetic and confessional ambiguity provoked by such uneasy times generated the incomparable success of Silesian poetic productivity makes one ask in the next step how this could spark other regional poetic movements on German speaking territories. From the higher perspective of literary history there will be a close review of (i) the one-sided perception of the Silesian poetic reform as a decidedly protestant literary programme, (ii) the latent determination of religiously intervening Baroque poetry as confessional polemics as well as (iii) the prevailing description of sectarianism being moulded as a process of consolidating religious differences.The research results of this project are documented by two forms which build on one another: 1.) A data base in the shape of a thesaurus with comprehensive comments makes accessible all types of ambiguity in books on poetics in Baroque times; this will produce an unrivalled, substantial contribution to fundamental research. 2.) The principal investigator compiles all documents identified into a monograph, presenting it analytically according to the scientific problem and evaluates it from the perspective of literary history.

该项目是在现代的早期在西里斯诗歌安·克里斯蒂安·霍尔曼（Ann Cristian Hallmann）的维持下，本杰明·诺基（Benjamin Neukirch）和克里斯蒂安·格里菲斯（Christian Gryphius）。为了获得约束力的正常和历史理解的进步，这是由这种统一的诗意和悔的歧义之间的解释。 lalary会对（i）西里士诗歌改革的单一居住，如阿斯迪德·新教文学节目，以供悔的辩护诗歌以及（iii）对秘密主义的描述，被宣告辩护的诗歌。过程合并宗教差异的过程。将其成专着，根据科学问题对其进行分析，并从文学史的角度进行评估。