Towards an ecofeminist ecriture feminine : poetic responses to climate grief under patriarchal and anthropocentric hegemony

走向生态女性主义女性文学：父权制和人类中心主义霸权下对气候悲伤的诗意回应

• 批准号: 2887792
• 金额: --
• 依托单位: University of Brighton
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2023
• 资助国家: 英国
• 起止时间: 2023 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2887792
• 关键词: Towards; ecofeminist; ecriture; feminine; poetic

Research QuestionsHow can the concept of an ecofeminist 'ecriture feminine' ('feminine writing') inform the development of a more-than-human methodology that challenges bothpatriarchal and anthropocentric hegemonies?How might this methodology be used to develop creative responses to climate grief, which leverage notions of entanglement while also challenging hegemonic structures of language, as part of a holistic response to the climate crisis?This thesis uses writing in the form of an ecofeminist 'ecriture feminine' - writing centring the language of the oppressed and repressed 'feminised other'. While reflecting on the interconnectedness of anthropocentrism and patriarchy, this thesis presents climate grief as a narrative of entanglements. Recognising hybrid writing as characteristic of 'ecriture feminine', I use poetic "autotheory", a hybrid genre of writing. Inspired by Maggie Nelson's autotheoretical work 'The Argonauts' (2015), I use poetic verse and lyric essays to present accounts of climate grief. Using a more-than-human methodology, walking methods are used to facilitate movement through, and embodiment in, landscapes which invoke personal feelings of loss. This inspires freewriting around intimate narratives of climate grief, conceived of as necessarily entangled with other forms of grief, which is then developed into poetry and lyric essays. Additionally, this autotheory reflects on how ecofeminist philosophy can inform reimaginings of human/non-human entanglements during a time of ecological crisis. As a hybrid creative work, this thesis speaks to a rejection of the construction of binaries central to both an ecofeminist and psychoanalytic feminist approach. I offer two unique contributions in my research: 1. Through the development of a unique more-than-human methodology that synthesises feminist approaches in the concept of an 'ecofeminist ecriture feminine' 2. Through the development of original creative work that presents climate grief as an experience of entanglement, highlighting human/non-human relationality, as well as the interconnectedness of different forms of grief

研究问题生态女性主义“女性写作”（“女性写作”）的概念如何促进一种超越人类的方法论的发展，挑战父权制和人类中心主义的霸权？如何利用这种方法来对气候悲伤、它利用纠缠的概念，同时挑战语言的霸权结构，作为应对气候危机的整体应对措施的一部分？本论文以生态女性主义的形式进行写作“女性书写”——以被压迫和被压抑的“女性化他人”的语言为中心的写作。在反思人类中心主义和父权制的相互关联性的同时，本文将气候悲伤呈现为一种纠缠的叙述。认识到混合写作是“女性写作”的特征，我使用诗意的“自体理论”，一种混合​​写作类型。受到玛吉·尼尔森的自理论作品《阿尔戈英雄》（2015）的启发，我用诗句和抒情散文来描述气候悲伤。使用一种超越人类的方法，步行方法被用来促进在景观中的移动和体现，从而唤起个人的失落感。这激发了围绕气候悲伤的亲密叙事的自由写作，这些叙事被认为必然与其他形式的悲伤纠缠在一起，然后发展成诗歌和抒情散文。此外，这种自体理论反映了生态女性主义哲学如何在生态危机时期重新想象人类/非人类的纠葛。作为一项混合创造性的工作，本论文谈到了对生态女性主义和精神分析女性主义方法核心的二元结构的拒绝。我在研究中做出了两项独特的贡献： 1. 通过发展一种独特的超越人类的方法论，将女权主义方法综合到“生态女性主义书写女性”的概念中 2. 通过发展呈现气候悲伤的原创创造性作品作为一种纠缠的经历，强调人类/非人类的关系，以及不同形式的悲伤的相互联系