Home/bodies: Exploring the affective experiences of people at home using scenographic practice and ecological thinking

家/身体：利用场景实践和生态思维探索人们在家中的情感体验

• 批准号: 2888014
• 金额: --
• 依托单位: University of Leeds
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2023
• 资助国家: 英国
• 起止时间: 2023 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2888014
• 关键词: Home; bodies; Exploring; affective; experiences

This practice-led research will draw on the tactics of scenography to explore and reimagine routes for ecological (co)existence, focusing on the affective experiences of individuals in their domestic home environments. Through a series of practical mediations, the project will invite a group of participants (with stakes in the research outcomes) to apply scenographic strategies, traditionally employed within live performance, to their habitual living spaces. The creation of these experiences, alongside a critical analysis of participant responses, will be iteratively informed by ecological thinking: in particular Tim Ingold's concept of 'correspondence', Donna Haraway's meditations on 'response-ability' and Timothy Morton's reckoning with 'dark ecology', that speak to the interconnectedness of people, places and things in the context of contemporary life and the climate crisis. Through this, the project aims to challenge the binaries of inside/outside and private/public that were exacerbated by the global pandemic; to highlight the most familiar of everyday habitats -the home - as a site as worthy for ecological consideration as natural landscapes; and to furtherpossibilities for embodied modes of sustainable co-existence and habitation. Scenography - a practice rooted in the relationality of bodies, objects and environments (McKinney and Palmer 2017), as well as a means for orienting and othering place (Hann 2019) - grounds this project's methodology in the affective qualities of experience, accounting for the sensory, the material and the spatial. This approach is contextualised by Kathleen Stewart's 'atmospheric attunements' and 'ordinary affects', stimulating an attentiveness towards the animate encounters of everyday life that, whilst fleeting and evasive, are nonetheless powerful. Though this ability 'to attend' is facilitated here through artistic practice, the project will offer insights into how people relate - or can relate -to their familiar environments in ways that resonate with aspects of sociology, geography, architectural studies and ecocriticism, as well as current discourse in anthropology and philosophy.

这项以实践为主导的研究将借鉴场景的策略，以探索和重新构想生态（CO）存在的途径，重点关注个人家庭环境中个人的情感经历。通过一系列实用的调解，该项目将邀请一群参与者（在研究成果中拥有股份）将现场表演中传统使用的场景策略应用于其习惯生活空间。 The creation of these experiences, alongside a critical analysis of participant responses, will be iteratively informed by ecological thinking: in particular Tim Ingold's concept of 'correspondence', Donna Haraway's meditations on 'response-ability' and Timothy Morton's reckoning with 'dark ecology', that speak to the interconnectedness of people, places and things in the context of contemporary life and the climate crisis.通过此，该项目旨在挑战全球大流行而加剧的内部/外部/私人/公共的二进制文件；强调最熟悉的日常栖息地（房屋）是一个值得考虑的自然景观的地点；并为可持续共存和居住的体现模式提供了进一步的资源。场景 - 一种植根于身体，物体和环境的关系（McKinney and Palmer 2017），以及定向和其他地方的手段（Hann，2019年） - 以情感性的质量，对感官，材料和空间进行核心的经验质量，以此为基础。凯瑟琳·斯图尔特（Kathleen Stewart）的“大气调味料”和“普通影响”对这种方法进行了背景，刺激了人们对日常生活的动画相遇的关注，尽管短暂而逃避，但仍具有强大的力量。尽管在这里通过艺术实践促进了这种“参加”的能力，但该项目将以人们与社会学，地理学，建筑研究和生态主义以及当前在人类学和哲学上的话语相关的方式提供有关人们如何与他们熟悉的环境联系的见解。