Locating Transness in Experience of Popular Music: A Queer Phenomenological Approach

在流行音乐体验中寻找跨性：一种酷儿现象学方法

• 批准号: 2887071
• 金额: --
• 依托单位: University of Bristol
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2023
• 资助国家: 英国
• 起止时间: 2023 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2887071
• 关键词: Locating; Transness; Experience; Popular; Music

Trans experience has historically been fetishised and othered in musicology through casestudies preoccupied with Art Music and biological gender; however, research has sincereflected that transness in popular music permeates musical components, lyrics, visualperformance aesthetics, and performer identity. In a new approach towards understandingtrans experience of popular music, I, a non-binary person, intend to identify and examinehow popular music locates transness through a queered phenomenological lens. I will dothis through detailed analysis of pieces of music under the hip-hop and dance musicumbrella, and the experience of it, in specific spaces; drag shows, ballroom events, andfashion shows.

跨性别的经验在历史上一直是恋物癖，并且在音乐学上是通过围绕艺术音乐和生物性别的casestudies而在音乐学领域进行的。然而，研究真诚地表明，流行音乐的透明度渗透到音乐组成部分，歌词，视觉性感美学和表演者身份。在一种新的理解流行音乐体验的方法中，我是一个非二元人，打算识别和研究流行音乐通过循环的现象学镜头来定位跨度。我将通过对嘻哈音乐和舞蹈音乐舞会下的音乐的详细分析以及在特定空间中的经验进行详细分析；阻力表演，宴会厅活动和时尚表演。