Transitions and thresholds in the work of Maurice Sceve

莫里斯·塞维作品中的转变和阈值

• 批准号: 2877045
• 金额: --
• 依托单位: University of Oxford
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2023
• 资助国家: 英国
• 起止时间: 2023 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2877045
• 关键词: Transitions; thresholds; work; Maurice; Sceve

My research will explore transitions and thresholds in the work of sixteenth-century Lyonnais poet Maurice Scève. Existing scholarship (notably seminal work by Hans Staub, 1967) has advanced the idea that a dynamic of movement underpins Scève's poetry, a movement which is always carried through to completion (1967: 35-36). I argue that transitional or 'threshold' points within the scope of such wider teleological movements may act as fruitful portals into Scève's poetics. I will examine how, by depicting evolving or fluctuating states of being in processes such as waking, remembering, and learning, Scève engages with sixteenth-century conceptions of cognitive acts, with humanist ideas concerning the transmission and reception of knowledge, and with curiosity surrounding sleep and oneiric experience. The ancient art of dream interpretation and epistemological theories, such as those of Italian astronomer and self-professed dream-interpreter Girolamo Cardano (1501-1576), were in vogue in sixteenth-century France. My research will ask, for instance, how representations of the passage into and out of sleep in Délie (1544), Saulsaye (1547), and the Microcosme (1562), inform our reading of the epistemological and ethical stakes of these texts. While attending to these thematic thresholds, my study will draw on Gérard Genette's (1987) conception of the narratological threshold established by paratexts - namely the sonnets and devises that bookend Scève's works. I adopt a hybrid methodological approach, drawing together narratological theory (Genette) and socio-cultural ideas, as I consider the thematic, conceptual, and structural thresholds that inflect our experience of reading Scève. Following Michèle Clément's efforts to rehabilitate Scève's lesser-known works (Microcosme, Arion, Saulsaye), my project also gives space to a wider scevian corpus, too often restricted to Délie.

我的研究将探讨 16 世纪里昂诗人莫里斯·斯凯夫 (Maurice Scève) 作品中的转变和阈值。现有的学术研究（特别是汉斯·施陶布 (Hans Staub)，1967 年的开创性作品）提出了这样一种观点，即运动的动力支撑着斯凯夫的诗歌，这种运动始终存在。我认为这种更广泛的目的论运动范围内的过渡点或“阈值”点可能会起作用。作为深入斯凯夫诗学的富有成果的门户，我将研究斯凯夫如何通过描述清醒、记忆和学习等过程中不断变化或波动的状态，与十六世纪的认知行为概念以及关于传播和接收的人文主义思想相结合。知识，以及对睡眠和梦境体验的好奇心，例如意大利天文学家和自称的梦解释者的古代梦解释艺术和认识论理论。例如，吉罗拉莫·卡尔达诺（Girolamo Cardano，1501-1576）在 16 世纪的法国很流行，我的研究将询问《Délie》（1544 年）、《Saulsaye》（1547 年）和《微观宇宙》（Microcosme）中如何表现进入和离开睡眠。 1562），在关注这些主题阈值的同时，我的研究将借鉴热拉尔的经验。热内特（1987）关于副文本建立的叙事学门槛的概念——即谢夫作品的十四行诗和设计，我采用了一种混合方法论的方法，将叙事学理论（热内特）和社会文化思想结合在一起，因为我认为主题、概念。 ，以及影响我们阅读 Scève 的体验的结构阈值。除了鲜为人知的作品（Microcosme、Arion、Saulsaye）之外，我的项目还为更广泛的 scevian 语料库提供了空间，而这些语料库往往仅限于 Délie。