The Scene of the Crime: Nationhood and the Postcolonial Contemporary in South Asian Diasporic Crime Fiction

犯罪现场：南亚流散犯罪小说中的民族性和后殖民当代

• 批准号: 2870151
• 金额: --
• 依托单位: Newcastle University
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2023
• 资助国家: 英国
• 起止时间: 2023 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2870151
• 关键词: Scene; Crime; Nationhood; Postcolonial; Contemporary

Anglophone diasporic crime fiction - written by authors of Indian descent who are basedin the Global North - offers a double lens: firstly, it allows us to investigate how theuneven terrain of the nation-state, race, class, gender and caste in this contemporaryglobal form is negotiated transnationally; and secondly, it pushes for a reassessment ofthe relationship of diasporic fiction with the shifting terrain of postcolonial Indian cultureand society. I examine how this fiction challenges the paradigmatic frame of the nationand nationhood, and responds to questions of diasporic belonging and representation.

英语散居犯罪小说 - 由印度血统的作者撰写，这些犯罪者以全球北部为基础 - 提供双镜头：首先，它使我们能够以这种现代的全面形式调查民族国家，种族，种族，阶级，性别和种姓的恩元地形如何进行跨界协商；其次，它推动了对流浪性小说与后殖民印度文化社会不断变化的地形的重新评估。我研究了这部小说如何挑战民族和民族的范式框架，并回答流散的属于和代表的问题。