Exploring mixed-reality immersive performance making by combining theatre devising and human-computer interaction methods.

结合剧场设计与人机交互方式，探索混合现实沉浸式表演制作。

• 批准号: 2748305
• 金额: --
• 依托单位: University of Nottingham
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2022
• 资助国家: 英国
• 起止时间: 2022 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2748305
• 关键词: Exploring; mixed; reality; immersive; performance

Lakeside Arts and Makers of Imaginary Worlds proposed the creation of a Digital Playground, a mixed-reality immersive performance for children and families. This practice as a research project focuses on developing a hybrid methodology to create such an event, combining established theatre-making methods with human-computer interaction tools to improve the implementation of immersive technologies in artistically meaningful mixed reality events. A key consideration will be to analyze how an interdisciplinary mixed reality performance-making methodology can fit in the current theatre-making and technologists' ecosystems regarding established practices and ideologies, and how we can overcome relevant unproductive tensions and prejudices. The research outcome will help groups of theatre makers and technology experts explore the narrative potential of immersive technologies in mixed-reality performances. Theatre devising is an established framework for collaborative performance creation, diverting from placing the playtext at the top of the performance-making hierarchy and providing the opportunity to incorporate novel elements in performance. Although established theatre-making methods such as Viewpoints can assist performance-makers in leveraging theatrical craftsmanship in performing, narrative devising, and liveness, they require additional mechanisms to explore the untried narrative potential of digital technologies. Human-computer interaction can provide such processes, including User Experience Design, Wizard of Oz methodology and Interactive Narrative Design. However, combining frameworks of theatre making and HCI design will require a deep understanding of the particulars of both fields, exploring points of convergence and identifying areas of tension and ideological deviation. The research insights will emphasize the relevance of theatre-making and human-computer interaction methods, bridge methodological gaps, and support the future creation of engaging and meaningful mixed-reality artistic events.

Lakeside Arts 和 Makers of Imaginary Worlds 提议创建一个数字游乐场，为儿童和家庭提供混合现实沉浸式表演。这一实践作为一个研究项目，重点是开发一种混合方法来创建此类活动，将现有的戏剧制作方法与人机交互工具相结合，以改进沉浸式技术在具有艺术意义的混合现实活动中的实施。一个关键的考虑因素是分析跨学科的混合现实表演制作方法如何适应当前的戏剧制作和技术人员关于既定实践和意识形态的生态系统，以及我们如何克服相关的非生产性紧张和偏见。研究成果将帮助戏剧制作人和技术专家探索沉浸式技术在混合现实表演中的叙事潜力。戏剧设计是协作表演创作的既定框架，它不再将剧本置于表演制作层次结构的顶部，而是提供了在表演中融入新颖元素的机会。尽管观点等既定的戏剧制作方法可以帮助表演者在表演、叙事设计和现场感中利用戏剧工艺，但它们需要额外的机制来探索数字技术未经尝试的叙事潜力。人机交互可以提供这样的过程，包括用户体验设计、绿野仙踪方法论和交互式叙事设计。然而，将戏剧制作和人机交互设计的框架结合起来需要深入了解这两个领域的细节，探索交汇点并识别紧张和意识形态偏差的领域。研究见解将强调戏剧制作和人机交互方法的相关性，弥合方法论差距，并支持未来创作引人入胜且有意义的混合现实艺术活动。