The Electronic Music of Roberto Gerhard

罗伯托·格哈德的电子音乐

基本信息

批准号：
AH/I025395/1
负责人：
Mathew Adkins
金额：
$ 18.63万
依托单位：
University of Huddersfield
依托单位国家：
英国
项目类别：
Research Grant
财政年份：
2012
资助国家：
英国
起止时间：
2012 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=AH%2FI025395%2F1
关键词：
Electronic Music Roberto Gerhard

项目摘要

The electronic music of Roberto Gerhard is an unexplored resource that has the potential to change not only our evaluation of this composer's work but also the development of electronic music in the UK from the 1950s onwards. Gerhard's work has as yet, not been documented due to his lack of institutional support, the difficulty in accessing his archive and the fact that this archive is not catalogued. In the archive at the Cambridge University Library are a large number of unpublished electronic works, electronic incidental music and sketches and rehearsal tapes for the Symphony no. 3 (Collages), one of the first major works following Varese's Desert to integrate orchestra and electronics. Now the University of Huddersfield has agreed a contract with the CUL to digitize and research the electronic music of Gerhard, this research project seeks to address a number of issues: what is the significance of Gerhard's electronic music on his own later instrumental music? what is Gerhard's influence on electronic music in the UK; how did Gerhard generate and structure his material? The research results will form the final three chapters of a book edited by the PI and Prof. Michael Russ. The remaining chapters are expanded versions of papers given at the 1st International Roberto Gerhard Conference which took place at the University of Huddersfield in May 2010. The PI and two RAs will also edit all of the electronic music for publication on CD by sub rosa.

Roberto Gerhard 的电子音乐是一种未经开发的资源，它不仅有可能改变我们对这位作曲家作品的评价，而且有可能改变 20 世纪 50 年代以来英国电子音乐的发展。由于缺乏机构支持、难以访问他的档案以及该档案没有编目，格哈德的工作尚未被记录下来。剑桥大学图书馆的档案中有大量未出版的电子作品、电子配乐以及第 1 交响曲的草图和排练磁带。 3（拼贴），继瓦雷泽的沙漠之后第一批将管弦乐队和电子乐融为一体的主要作品之一。现在哈德斯菲尔德大学已经与CUL达成协议，对格哈德的电子音乐进行数字化和研究，这个研究项目旨在解决一系列问题：格哈德的电子音乐对他自己后来的器乐有何意义？ Gerhard 对英国电子音乐的影响是什么？格哈德是如何生成和构建他的材料的？研究结果将构成由 PI 和 Michael Russ 教授编辑的一本书的最后三章。其余章节是 2010 年 5 月在哈德斯菲尔德大学举行的第一届国际 Roberto Gerhard 会议上发表的论文的扩展版本。PI 和两位 RA 还将编辑所有电子音乐，以便由 sub rosa 出版 CD。