Study of the Contemporary British Black Art Movement and Politics around Culture of Visual Representation and the Gaze

围绕视觉表现和凝视文化的当代英国黑人艺术运动和政治研究

• 批准号: 21520153
• 负责人: HAGIWARA Hiroko
• 金额: $ 1.16万
• 依托单位: Osaka Prefecture University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2009
• 资助国家: 日本
• 起止时间: 2009 至 2011
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-21520153/
• 关键词: 表象文化論; 移民論; 黒人文化; 視覚表象; 思想史; 表象文化論; 移民論; 黒人文化; 視覚表象; 思想史

The study explores politics working around the gaze and culture of visual representation, focusing on fine art practices of British Black artists, who are of descent of post-war immigrants from the former colonies and have been marginalized by established art institutions. By examining the so-called Black Art movement in the 1980s and 90s and its aftermath the study shows that culture of visual representation is a site, on which the canon and power relations are being constructed and deconstructed, and that migrations are of great moment for the formation of visual culture.

该研究探讨了围绕视觉代表的目光和文化的政治，重点是英国黑人艺术家的美术实践，他们是战后移民的后裔，并被既定的艺术机构边缘化。通过检查1980年代和90年代所谓的黑色艺术运动及其后果，研究表明，视觉表示文化是一个地点，在该地点，正在建设和解构佳能和权力关系，而迁移是形成视觉文化的绝佳时刻。