A Study on the process of formation of the Ritual Saisho-e in the Temple Yakusi-ji -from the viewpoint of tradition and creation in both of ritual and music

药师寺祭祀绘的形成过程研究——从礼乐传统与创作的角度

基本信息

批准号：
13610056
负责人：
SAWADA Atsuko
金额：
$ 2.3万
依托单位：
Osaka Kyoiku University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2001
资助国家：
日本
起止时间：
2001 至 2003
项目状态：
已结题

项目摘要

The Ritual Saisho-e in Yakushi-ji was established by the emperor's command in 830A.D., in which the "Suvarnaprabhasottama-sutra" was lectured and discussed. In the medieval period, Saisho-e was interrupted by the disturbance of war and was practiced on a small scale as Saisho-ko from the Edo era to the early Meiji. Since historical materials in Yakushi-ji were mostly burned down, we analyzed including the those of the other rituals and the scriptures relevant to Saisho-e and the "Suvarnaprabhasottama-sutra".First we investigated the following ; (1) process of formation and transformation of Saisho-e by historical materials of Saisho-e, Yuima-e, Misai-e and the other rituals based upon the "Suvarnaprabhasottama-sutra", (2) abstract and characteristics of the "Suvarnaprabhasottama-sutra", (3) condition of music (shomyo, rongi and gagaku) in the ritual performed gagaku, (4) the text of Saisho-e and its shomyo melodies considered to be chanted in the Ede era.On the results of the above-mentioned we studied the following ; (1) significance of the rituals based upon the "Suvarnaprabhasottama-sutra" which had gradually lost its role as the national sutra for protection, (2) characteristics of the ritual inclining to performing arts.The principle of the duality such as aesthetic quality inherent in religion and creativity immanent in tradition, that were derived from this research, was applied to restoring Saisho-e in Yakusi-ji. We reconstructed the contents of Saisho-e with instrumental music on the axis of restored rongi and shomyo, which offered the concrete of Saisho-e as in the Heisei era.

药师寺的斋正寺于公元830年奉天皇之命设立，讲授和讨论《净土经》。中世纪时期，最正绘因战争的干扰而中断，从江户时代到明治初期，以最正工的形式小规模地进行。由于药师寺的历史资料大多被烧毁，我们分析了其他仪式的资料以及与最胜绘和《Suvarnaraphasottama-sutra》有关的经文。首先，我们调查了以下内容； (1) 根据《Suvarnaprabhasottama-sutra》中的 Saisho-e、Yuima-e、Misai-e 和其他仪式的史料，形成和转变 Saisho-e 的过程，(2) 《Suvarnaprabhasottama-sutra》的摘要和特征-sutra”，(3) 雅乐仪式中音乐的状况（shomyo、rongi 和 gagaku），(4) Saisho-e 的文本以及被认为是在埃德时代吟唱的称名旋律。根据上述结果，我们研究了以下内容； (1)以逐渐失去国家保护经典作用的《素万那般婆罗多摩经》为基础的仪式的意义，(2)仪式倾向于表演艺术的特征。内在的审美品质等二元性原则从这项研究中得出的传统中固有的宗教和创造力被应用于修复药寺寺的西正绘。我们以恢复的龙仪和称名为轴，用器乐重建了《最正绘》的内容，这提供了平成时代《最正绘》的具体内容。