Comparative Scientific Research about the traditional Consciousness of Liberal Arts (jiyugakugei), Way of Arts (geido) and Six Arts (rikugei) in the East and the West

东西方传统文雅意识、艺道意识、六艺意识的比较科学研究

• 批准号: 10610049
• 负责人: SAITO Minoru
• 金额: $ 2.24万
• 依托单位: Hiroshima City University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 1998
• 资助国家: 日本
• 起止时间: 1998 至 2000
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-10610049/
• 关键词: liberal arts (artes liberals); Way of Arts; Six Arts; crafts (artes mechanicae); aesthetic cultivation; truth, goods and beauty; traditional consciousness; theory of sense; 文人画; 書画同体

This research is a joint project aiming to compare interpretatively the traditional consciousness of Liberal Arts ("artes liberales", jiyugakugei), Ways of Arts (geido) and Six Arts (rikugei) in Europe, Japan and China. It incorporated participants from Hiroshima City University, Hiroshima University and other universities.In Europe the "artes liberales", have been understood since ancient times through the Middle Ages to the present day as seven liberal arts and sciences not separately, but taken together in order to promote studies in humanities. These seven arts included grammar, rhetoric, dialectics, arithmetic, geometry, astronomy and music. They were disciples belonging not only to sciences, but also to education in humanities and cultivation of human beings, most important together with philosophy.Cicero of Rome said that the educated and cultivated man would follow the dignity, which was a virtue necessary for the human beings. In the epoch of Renaissance Petrarca claimed the n … More ecessity of ethics for the human society. It was one of the aims of fine arts. Leonardo da Vinci insisted that painting was a science and called it "scienza della pittura", meaning that painting should be on the same level as science, because it needed essentially such scientific elements as perspective, anatomy, optics and others.The Japanese Way of Arts (Geido), which was also the aesthetic consciousness of the people, comprised the ideas about arts and artistic practices. This has been understood as all sorts of arts and cultivated styles required for the formation of a human being with high virtue and aesthetically educated, thus possessing truth, good and beauty. According to Geido, a human being could return to his original nature and achieve the transcendental state.Since most ancient times the Chinese traditional arts included courteousness (rei), music (raku), shooting (sha), riding (gyo), writing (sho) and mathematics (suu), which were related not only to the cultivation of the human nature and morals, but to arts and science as well. In order to learn and practice them people had to study literature and philosophy, poetry and painting. Painting must always go together with calligraphy (shogadoutai), which belongs to a secret technique based on severe training in Six Arts and strict learning of scientific disciplines, philosophy and ethics.The project aimed to study these three concepts in a comparative perspective in order to make clear their similarities and differences. So, we emphasize that these three aesthetic systems belong not only to the sphere of arts, but to the human life in general with universal ideas about truth, good and beauty as their values. This conclusion that the traditional arts and their interpretations belong both to the sensitive and rational realms targeting, at the same time, at the aesthetic truth is our contribution to the interdisciplinary research. Less

这项研究是一个联合项目，旨在解释性地比较欧洲、日本和中国的文科（“artesliberes”，jiyugakugei）、艺道（geido）和六艺（rikugei）的传统意识，参与者来自广岛市。大学、广岛大学和其他大学。 在欧洲，“人文艺术”从远古到中世纪一直被理解为七门文科和理科，不是分开的，而是综合在一起的，以便这七门艺术包括语法、修辞、辩证法、算术、几何、天文学和音乐，它们不仅属于科学，而且属于人文教育和人类培养，最重要的是与哲学一起。罗马的西塞罗说，受过教育和有教养的人会遵循尊严，这是人类所必需的美德。在文艺复兴时期，佩特拉卡声称道德是人类社会的必需品。美术的目标之一是达芬奇坚持认为绘画是一门科学，并称之为“scienza dellapittura”，意思是绘画应该与科学处于同一水平，因为它本质上需要诸如透视、解剖学、日本的艺术之道（Geido），也就是人们的审美意识，包含了关于艺术的观念和艺术实践，它被理解为形成一种艺术所需的各种艺术和修养的风格。人类具有高尚的美德和艺道认为，人可以回归本性，达到超然的境界。自古以来，中国的传统艺术包括礼、乐、射。 （sha）、骑马（gyo）、书写（sho）和数学（suu），这些不仅与人性和道德的培养有关，而且与艺术和科学有关，以便人们学习和实践它们。必须学习文学并且哲学、诗歌和绘画必须始终与书法相结合，这是一种基于六艺严格训练和严格学习科学学科、哲学和道德的秘术。该项目旨在研究这三个概念。因此，我们强调这三种美学体系不仅属于艺术领域，而且属于人类生活，以真善美的普遍观念为价值。这个结论表明传统艺术及其。解读既属于敏感领域又属于理性领域，同时针对审美真实是我们对跨学科研究的贡献。

项目成果

安西信一: "復楽園としてのイギリス-ハートリブ・サークルの庭園論における活動・改良・拡大主義(1640-60)" 『欧米文化研究』(広島大学総合科学部紀要). 第5号. 1-20 (1998)

安西真一：“作为天堂的英格兰：哈特利布圈子花园理论中的活动、改进和扩张（1640-60）”《西方文化研究》（广岛大学艺术与科学学院通报）第5.1期。 - 20 (1998)

齊藤稔: "西欧共同社会における人文学的学芸研究の基礎-12世紀人文主義の文化的要件-"東北芸術文化学会. 第5号. 3-23 (2000)

Minoru Saito：“西欧社会人文策展研究的基础 - 12 世纪人文主义的文化要求 -”东北艺术文化协会第 5. 3-23 号（2000 年）。

安西信一: "イギリス風景式庭園の美学<開かれた庭>のパラドックス"東京大学出版会. 335 (2000)

安西真一：《英国风景园林开放式园林美学的悖论》东京大学出版社335（2000）。

青木孝夫: "観客の登場"『藝術学の百年』勁草書房. 62-79 (2000)

青木隆夫：《观众的出现》，《艺术研究一百年》，Keiso Shobo 62-79 (2000)。

安西信一: "復楽園としてのイギリス-ハートリブ・サークルの庭園論における活動・改良・拡大主義(1690-60)"『欧米文化研究』(広島大学総合科学部紀要). 第5号. 1-20 (1998)

安西真一：“作为天堂的英格兰：哈特利布圈子花园理论的活动、改进和扩张（1690-60）”西方文化研究（广岛大学艺术与科学学院通报）第5.1期。 - 20 (1998)