Comparative Scientific Research about the traditional Consciousness of Liberal Arts (jiyugakugei), Way of Arts (geido) and Six Arts (rikugei) in the East and the West

东西方传统文雅意识、艺道意识、六艺意识的比较科学研究

• 批准号: 10610049
• 负责人: SAITO Minoru
• 金额: $ 2.24万
• 依托单位: Hiroshima City University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 1998
• 资助国家: 日本
• 起止时间: 1998 至 2000
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-10610049/
• 关键词: liberal arts (artes liberals); Way of Arts; Six Arts; crafts (artes mechanicae); aesthetic cultivation; truth, goods and beauty; traditional consciousness; theory of sense; 文人画; 書画同体

This research is a joint project aiming to compare interpretatively the traditional consciousness of Liberal Arts ("artes liberales", jiyugakugei), Ways of Arts (geido) and Six Arts (rikugei) in Europe, Japan and China. It incorporated participants from Hiroshima City University, Hiroshima University and other universities.In Europe the "artes liberales", have been understood since ancient times through the Middle Ages to the present day as seven liberal arts and sciences not separately, but taken together in order to promote studies in humanities. These seven arts included grammar, rhetoric, dialectics, arithmetic, geometry, astronomy and music. They were disciples belonging not only to sciences, but also to education in humanities and cultivation of human beings, most important together with philosophy.Cicero of Rome said that the educated and cultivated man would follow the dignity, which was a virtue necessary for the human beings. In the epoch of Renaissance Petrarca claimed the n … More ecessity of ethics for the human society. It was one of the aims of fine arts. Leonardo da Vinci insisted that painting was a science and called it "scienza della pittura", meaning that painting should be on the same level as science, because it needed essentially such scientific elements as perspective, anatomy, optics and others.The Japanese Way of Arts (Geido), which was also the aesthetic consciousness of the people, comprised the ideas about arts and artistic practices. This has been understood as all sorts of arts and cultivated styles required for the formation of a human being with high virtue and aesthetically educated, thus possessing truth, good and beauty. According to Geido, a human being could return to his original nature and achieve the transcendental state.Since most ancient times the Chinese traditional arts included courteousness (rei), music (raku), shooting (sha), riding (gyo), writing (sho) and mathematics (suu), which were related not only to the cultivation of the human nature and morals, but to arts and science as well. In order to learn and practice them people had to study literature and philosophy, poetry and painting. Painting must always go together with calligraphy (shogadoutai), which belongs to a secret technique based on severe training in Six Arts and strict learning of scientific disciplines, philosophy and ethics.The project aimed to study these three concepts in a comparative perspective in order to make clear their similarities and differences. So, we emphasize that these three aesthetic systems belong not only to the sphere of arts, but to the human life in general with universal ideas about truth, good and beauty as their values. This conclusion that the traditional arts and their interpretations belong both to the sensitive and rational realms targeting, at the same time, at the aesthetic truth is our contribution to the interdisciplinary research. Less

这项研究是一个共同的项目，旨在旨在解释自由艺术的传统意识（“ Artes Liberales”，Jiyugakugei），艺术方式（Geido）和欧洲，日本和中国的六种艺术（Rikugei）。它融合了广岛城，广岛大学和其他大学的参与者。在欧洲，“自由主义者”在远古时代以来，在中世纪至今，就已经被理解为七个自由艺术和科学，而不是分开的，但是为了促进人类的研究，它是为了共同的。这七种艺术包括语法，修辞，辩证法，算术，几何，天文学和音乐。他们是属于科学的门徒，而且是对人类教育和人类培养的门徒，最重要的是哲学。在文艺复兴时期的时代，彼得拉卡（Petrarca）声称，人类社会的道德更加精通。这是美术的目标之一。莱昂纳多·达·芬奇（Leonardo da Vinci）插入了绘画是一门科学，称其为“ Scienza della pittura”，这意味着绘画应与科学相同，因为它基本上需要诸如透视，解剖学，光学等的科学元素。日本的艺术方式（Geido），这已被理解为所有艺术和艺术习惯。这被理解为各种艺术和文化实践。有礼貌（REI），音乐（Raku），拍摄（SHA），骑行（GYO），写作（SHO）和数学（SUU），它们不仅与人性和道德的种植有关，还与艺术和科学有关。为了学习和练习他们，人们必须学习文学和哲学，诗歌和绘画。绘画必须始终与书法（Shogadoutai）一起进行，该绘画属于基于六种艺术的严格培训和严格学习科学学科，哲学和伦理学的秘密技术。该项目旨在以比较的观点研究这三个概念，以便明确他们的相似性和差异。因此，我们强调，这三种美学系统不仅属于艺术领域，而且属于人类的生活，总体上以关于真理，善良和美丽作为其价值观的普遍观念。传统艺术及其解释既属于敏感和理性的结论。同时，以审美真理为目标的领域是我们对跨学科研究的贡献。较少的

项目成果

安西信一: "復楽園としてのイギリス-ハートリブ・サークルの庭園論における活動・改良・拡大主義(1640-60)" 『欧米文化研究』(広島大学総合科学部紀要). 第5号. 1-20 (1998)

安西真一：“作为天堂的英格兰：哈特利布圈子花园理论中的活动、改进和扩张（1640-60）”《西方文化研究》（广岛大学艺术与科学学院通报）第5.1期。 - 20 (1998)

齊藤稔: "西欧共同社会における人文学的学芸研究の基礎-12世紀人文主義の文化的要件-"東北芸術文化学会. 第5号. 3-23 (2000)

Minoru Saito：“西欧社会人文策展研究的基础 - 12 世纪人文主义的文化要求 -”东北艺术文化协会第 5. 3-23 号（2000 年）。

安西信一: "イギリス風景式庭園の美学<開かれた庭>のパラドックス"東京大学出版会. 335 (2000)

安西真一：《英国风景园林开放式园林美学的悖论》东京大学出版社335（2000）。

青木孝夫: "観客の登場"『藝術学の百年』勁草書房. 62-79 (2000)

青木隆夫：《观众的出现》，《艺术研究一百年》，Keiso Shobo 62-79 (2000)。

安西信一: "復楽園としてのイギリス-ハートリブ・サークルの庭園論における活動・改良・拡大主義(1690-60)"『欧米文化研究』(広島大学総合科学部紀要). 第5号. 1-20 (1998)

安西真一：“作为天堂的英格兰：哈特利布圈子花园理论的活动、改进和扩张（1690-60）”西方文化研究（广岛大学艺术与科学学院通报）第5.1期。 - 20 (1998)