Speech choir - forms and functions in music
合唱团 - 音乐中的形式和功能
基本信息
- 批准号:465195544
- 负责人:
- 金额:--
- 依托单位:
- 依托单位国家:德国
- 项目类别:Research Grants
- 财政年份:
- 资助国家:德国
- 起止时间:
- 项目状态:未结题
- 来源:
- 关键词:
项目摘要
Choric speech is omnipresent. Speech Choir is a worldwide social phenomenon. However, choral speaking is also often performed in an artistic way. In many cases, this form of performance is musically concentrated into a composition. The speaking choir has a musical side.Central elements of a musical art form are found in the spoken word (solo or choral). The relationship between music and language is one of the most frequently treated fields of musicological research. In addition to the treatment of the word-sound-relationship in texts, research has focused on the treatment of the speaking voice and speech in music. Latest Schönberg's Pierrot lunaire (1912) made the fixation of pitch, intonation and expression of speaking voices a lasting awareness as a fundamental innovation. With the speech sound compositions of the musical avant-garde since the 1950s, the theatricality of artistic speech came into focus. As a rule, scientific studies are based on soloistic speech in music or as music. Choral speech is only marginally treated. Vice versa, the scientific treatment of choral speaking has so far concentrated only on phenomena in the peripheral fields of musicology: on the origin of the chorus in ancient drama in connection with stage and movement, on modern adaptations of speaking choirs in theatre, on the lay choral movement with choral speaking elements that are often pedagogically oriented, on transitions between singing and speaking in the field of speech science and speech education, and finally on socially oriented areas of application of choral speaking, for example at political rallies or sporting events.In its really different origins and in its musical peculiarity on the different levels of its appearance as a form of performance, composition and ensemble, the speech choir has not been systematically researched. This project is dedicated to this.
合唱演讲是一种世界性的社会现象,但在许多情况下,合唱演讲也以音乐的形式表现出来。音乐艺术形式的元素可以在口语词(独奏或合唱)中找到。音乐与语言之间的关系是音乐学研究中最常讨论的领域之一。最新的勋伯格的《Pierrot lunaire》(1912)将说话声音的音高、语调和表达固定为一种持久的意识,这是一项根本性的创新。自 20 世纪 50 年代以来,音乐先锋派开始关注艺术演讲的戏剧性。 一般来说,科学研究都是基于音乐中的独奏演讲,而合唱演讲则很少。反之亦然,到目前为止,对合唱口语的科学处理只集中于音乐学外围领域的现象:古代戏剧中合唱团与舞台和动作相关的起源,戏剧中口语合唱团的现代改编,具有合唱演讲元素的非专业合唱运动,这些元素通常以教学为导向,在言语科学和言语教育领域中歌唱和演讲之间的过渡,最后以社会为导向的合唱演讲应用领域,例如在政治集会上就其真正不同的起源以及其作为表演、作曲和合奏形式的不同层面的音乐特性而言,演讲合唱团尚未得到系统的研究。
项目成果
期刊论文数量(0)
专著数量(0)
科研奖励数量(0)
会议论文数量(0)
专利数量(0)
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Professor Dr. Thomas Schipperges其他文献
Professor Dr. Thomas Schipperges的其他文献
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{{ truncateString('Professor Dr. Thomas Schipperges', 18)}}的其他基金
Edition with comment of the correspondence between Heinrich Besseler and Jacques Handschin (1925-1954)
带有海因里希·贝塞勒和雅克·汉钦(1925-1954)之间通信评论的版本
- 批准号:
374339592 - 财政年份:2017
- 资助金额:
-- - 项目类别:
Research Grants
Kontinuitäten und Brüche im Musikleben der Nachkriegszeit Projektteil III: Wissenschaftsgeschichte und Vergangenheitspolitik - Musikwissenschaft in Forschung und Lehre im frühen Nachkriegsdeutschland
战后时期音乐生活的连续性和中断项目第三部分:过去的科学和政治史——战后德国早期的音乐学研究和教学
- 批准号:
138279964 - 财政年份:2009
- 资助金额:
-- - 项目类别:
Research Grants
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