Kontinuitäten und Brüche im Musikleben der Nachkriegszeit Projektteil III: Wissenschaftsgeschichte und Vergangenheitspolitik - Musikwissenschaft in Forschung und Lehre im frühen Nachkriegsdeutschland

战后时期音乐生活的连续性和中断项目第三部分：过去的科学和政治史——战后德国早期的音乐学研究和教学

• 批准号: 138279964
• 负责人: Professor Dr. Thomas Schipperges
• 金额: --
• 依托单位: Musikwissenschaftliches Institut
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2009
• 资助国家: 德国
• 起止时间: 2008-12-31 至 2015-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/138279964?language=en
• 关键词: Kontinuit; ten; und; Br; che

In society and politics as well as in culture and science, the turning point of 1945 as 'Year Zero' has been called into question. Our project focuses on continuity and discontinuity of persons and subjects within the field of musicology in Germany during the early postwar period from 1945 to 1955. Only a widespread and systematic collection of archival sources will provide the necessary framework to study musicological research and teaching as it existed in universities and institutions during this period. Collection and evaluation of information regarding internal procedures as well as justifications surrounding the assessment of post-war musicology chairs will make this phase of musicological history more transparent. One main question involves the way musicology confronts the issue of nazism in its past, and the strategies by which scholars who had lost their positions regained them after the phase of denazification. Each case was influenced by the network of musicologists and musicological organizations and institutions founded in Germany, from 1949 onwards more and more separately. The question of assessment and staffing of musicological chair positions, for example, were descided largely by the same people.The core task of our research project is the acquisition, development and processing of archival sources. During the first phase we covered systematically the sources in Germany. The next phase involves extending our source material to include musicological institutions in German-speaking areas in Switzerland and Austria, as well as in selected countries in Central and Eastern Europe - areas which, until 1945, belonged to the 'Deutsches Reich', had been working place of German musicologists before or after 1945 or influenced them. Also the systematic reconstruction and content decoding of German teaching between 1945 and 1955 shall be extended with the neighbour countries. The exemplary processing of the materials will be done in specific articles and in four planned monographs. Two volumes are in preparation for the publication of an annotated edition containing the correspondence of H. Besseler with J. Handschin, R. von Ficker, F. Blume, A. Schmitz. A document volume will offer insight into different types of sources. Public relations activities will include a exhibition as well as different lecture recital programs featuring works composed by musicologists. The total source material will be made available by means of an online database at the end of the second phase of the project.Ultimately, we will describe and define the longue durée of musicology in German-speaking areas from the 19th until the 21st century. The first systematically source-based comprehensive encyclopedia of the discipline will be prepared, containing portraits of people and their research, their connections and networks, institutions and their transformations as well as the integration of musicology in sociocultural developments.

在社会和政治以及文化和科学方面，1945 年作为“零年”的转折点受到了质疑。我们的项目重点关注战后早期德国音乐学领域内的人和学科的连续性和不连续性。 1945年至1955年期间。只有广泛而系统地收集档案资源才能为研究音乐学研究和教学提供必要的框架，就像这一时期大学和机构中存在的有关内部程序的信息的收集和评估一样。因为围绕战后音乐学主席评估的理由将使这一阶段的音乐学历史更加透明，一个主要问题涉及音乐学过去面对纳粹主义问题的方式，以及失去地位的学者重新获得地位的策略。在去纳粹化阶段之后，每个案例都受到德国成立的音乐学家和音乐学组织和机构的影响，例如，音乐学主席职位的评估和人员配置问题。很大程度上是由同一个人决定的。我们研究项目的核心任务是档案来源的获取、开发和处理，在第一阶段我们系统地涵盖了德国的来源，下一阶段涉及将我们的来源材料扩展到包括德国的音乐学机构。瑞士和奥地利的德语区，以及中欧和东欧的某些国家，这些地区在 1945 年之前一直属于“德意志帝国”，在 1945 年前或之后一直是德国音乐学家的工作场所或对他们产生了影响。还1945年至1955年期间德语教学的系统重建和内容解码将与邻国一起推广。材料的示范性处理将在具体文章中完成，并计划出版两卷带注释的专着。包含 H. Besseler 与 J. Handschin、R. von Ficker、F. Blume、A. Schmitz 的通信的文档卷将提供对不同类型来源的洞察，其中包括一个展览。以及以音乐学家创作的作品为特色的不同讲座独奏节目，全部源材料将在项目第二阶段结束时通过在线数据库提供。最终，我们将描述和定义音乐学的长时段。将编写第一个系统的、基于来源的学科综合百科全书，其中包含人物及其研究、他们的联系和网络、机构及其转变以及整合的肖像。社会文化发展中的音乐学。