A Study of Playing Companies and Provincial Touring in Early Modern England

现代早期英国演出公司和省级巡回演出的研究

• 批准号: 15520187
• 负责人: OTA Kazuaki
• 金额: $ 1.09万
• 依托单位: KYUSHU UNIVERSITY
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2003
• 资助国家: 日本
• 起止时间: 2003 至 2005
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-15520187/
• 关键词: Elizabethan playing companies; English Renaissance drama; players and provincial touring; Master of the Revels; dramatic censorship and license; records of early English drama; REED; playhouse license; 演劇公演ライセンス; 地方巡業; 地方自治体; 近代初期イングランド; 英国ルネサ

During the three years 2003-2005, I have written four papers and published a collection of information regarding the payments travelling players received from provincial cities and towns."The Master of the Revels and Dramatic Censorship in Renaissance England" (2005) argues that the Master of the Revels and the players were in a ‘symbiotic relationship' and that this symbiotic relationship led the Master to conduct censorship in a manner conducive to promoting rather than restraining the players' operations. "Edmund Tilney and Dramatic Control in Renaissance England : the Master of the Revels as a Patron of the Stage" (2005) explores how Edmund Tilney, the first Master of the Revels in Renaissance England to act as dramatic censor, emerged as more a sympathetic licensor of the stage than a repressive censor. "The Licensing of Players and Playhouses as a Profit-making Business : The Master of the Revels and His Sources of Income Reconsidered" (2006) examines the degree to which the play … More ers were an important source of income for the Master by analyzing the records of the payments the Master received from the players and other relevant documents. It argues that the payments from the players and playhouse owners accounted for a major part of the Master's income and that his efforts were directed at promoting theater industry as a sympathetic license of the stage rather than restricting dramatic activity as a repressive censor. "Elizabethan Playing Companies and Provincial Touring" (in press) stresses the importance of the provinces as a theatrical market for Elizabethan professional players, pointing out that most Elizabethan companies were actually ‘provincial" troupes with few or no opportunities for playing in London. "Payments to Travelling Players by Provincial Cities and Towns, 1552-1642" (2005) presents information regarding the payments touring companies received from provincial towns in tabular form. The towns include such major cities in Renaissance England as Bath, Bristol, and Norwich. Less

在 2003 年至 2005 年的三年间，我写了四篇论文，并出版了关于从省级城镇收到的旅行玩家报酬的信息集。《文艺复兴时期英国的狂欢大师和戏剧审查制度》（The Master of the Revels and Dramatic Censorship in Renaissance England）（2005 年）认为， Master of the Revels和玩家之间是一种“共生关系”，这种共生关系导致Master以有利于促进而不是限制玩家操作的方式进行审查。 《埃德蒙·蒂尔尼与文艺复兴时期英国的戏剧控制：作为舞台赞助人的狂欢大师》（Edmund Tilney and Dramatic Control in Renaissance England: the Master of the Revels as a Patron of the Stage）（2005）探讨了埃德蒙·蒂尔尼（Edmund Tilney），文艺复兴时期英格兰第一位充当戏剧审查机构的狂欢大师，如何成为一个更具同情心的人舞台许可者而不是压制性审查者“演员和剧院的许可作为营利性业务：狂欢大师及其收入来源。 《重新考虑》（2006）通过分析大师从球员那里收到的付款记录和其他相关文件，考察了球员在多大程度上成为大师的重要收入来源。它认为，球员的付款剧院老板占了大师收入的主要部分，他的努力是为了促进戏剧业作为舞台的同情许可，而不是作为“伊丽莎白剧团和省级”的压制性审查者来限制戏剧活动。 《巡演》（正在出版）强调了各省作为伊丽莎白时代职业演员的戏剧市场的重要性，并指出大多数伊丽莎白时代的剧团实际上是“省级”剧团，很少或根本没有在伦敦演出的机会。“省级向旅行演员支付的费用《城市和城镇，1552-1642》（2005）以表格形式提供了有关旅游公司从省级城镇收到的付款信息。这些城镇包括文艺复兴时期英格兰的主要城市，如巴斯、布里斯托尔、和诺维奇少。

项目成果

The Master of the Revels and Dramatic Censorship in Renaissance England

文艺复兴时期英国的狂欢大师和戏剧审查制度

• 发表时间: 2005
• 期刊: Studies in Languages and Cultures No.20
• 作者: 太田一昭;Kazuaki Ota;Kazuaki Ota;太田一昭;太田一昭;太田一昭;Kazuaki Ota;Kazuaki Ota;Kazuaki Ota
• 通讯作者: Kazuaki Ota

Elizabethan Playing Companies and Provincial Touring

伊丽莎白时代的演奏公司和省级巡回演出

• 发表时间: 2006
• 期刊: The Bond of Language (Taishukan Shoten) (in press)
• 作者: 太田一昭;Kazuaki Ota
• 通讯作者: Kazuaki Ota

Payments to Travelling Players by Provincial Cities and Towns, 1552-1642

1552-1642 年省级城镇向旅行玩家支付的款项

• 发表时间: 2005
• 期刊: Linguistic Science 40
• 作者: 太田一昭;Kazuaki Ota;Kazuaki Ota;太田一昭;太田一昭;太田一昭;Kazuaki Ota
• 通讯作者: Kazuaki Ota

英国ルネサンス演劇統制と祝典局長エドマンド・ティルニー-検閲と庇護-

埃德蒙·蒂尔尼 (Edmund Tilney)，英国文艺复兴时期戏剧控制与庆典总监 - 审查制度与庇护

• 发表时间: 2005
• 期刊: 英語英文学論叢 56
• 作者: 太田一昭;Kazuaki Ota;Kazuaki Ota;太田一昭;太田一昭
• 通讯作者: 太田一昭

Edmund Tilney and Dramatic Control in Renaissance England : The Master of the Revels as a Patron of the Stage

埃德蒙·蒂尔尼与文艺复兴时期英格兰的戏剧控制:作为舞台赞助人的狂欢大师

• 发表时间: 2005
• 期刊: Studies in English Language and Literature vol.55
• 作者: 太田一昭;Kazuaki Ota;Kazuaki Ota;太田一昭;太田一昭;太田一昭;Kazuaki Ota;Kazuaki Ota
• 通讯作者: Kazuaki Ota