On Both Advanced and Conservative Characteristics of Buddhist Art during Eastern Wei and Northen Qi Dynasty Periods in China

论中国东魏北齐时期佛教艺术的先进性与保守性

• 批准号: 15520079
• 负责人: YAGI Haruo
• 金额: $ 1.73万
• 依托单位: University of Tsukuba
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2003
• 资助国家: 日本
• 起止时间: 2003 至 2004
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-15520079/
• 关键词: Bei Qi Buddhist Art; Ye cheng; Shanxi province; Shandong province; Urban temples; Xiangtangshan cave; Tianlongshan cave; Sculptures of cave temples; 都市寺院造像; 白玉像; 半跏思惟像; 天宮式単層塔; 北斉時代; 東魏時代; 仏教美術; 墓葬美術; 北響堂山石窟; 鞏県石窟

The purpose of this research (The 2003-4 "On Both Advanced and Conservative Characteristics of Buddhist Art during Eastern Wei and Northern Qi Dynasty Periods in China") is to clarify various trends in Buddhist art in and around the capital city of Ye during the Eastern Wei and Northern Qi dynasties, focusing especially on the latter half of this period (550-557). It has been understood that the Xiangtangshan Grottoes, or the North Cave, the earliest of all the caves in this group, was the most representative, in style, of all of the Northern Qi caves, and the Buddhist art flourished under the strong influence of this cave in this area.This research, however, re-examined the absolute supremacy of the North Cave over the Buddhist art of this period. It suggested the obvious difference in the style of sculptural art of the temples built in the Southern Capital area of Ye when compared to the cave art of the general Ye area. On the other hand, the Northern Qi-period sculptures excavated f … More rom the hidden storage hole of the Longxing Temple of Qingzhou, Shandong Province, show a distinctly unique characteristics, both in style and type, which are different from those of both the North Cave or the Southern Capital. It has also become clear that the Buddhist sculpture of Shanxi area had created the type of its own, even though it was heavily influenced by that of Ye. Moreover, it has become clear that the differences are great between the arts of the caves and the capital area, and between those of Ye and other parts within the Northern Qi territory. And such differences depended on how they transmitted the tradition from and after the late Northern Wei dynasty period, and how they responded to the outside influences from India and Southeast Asia.Through this research, we believe the various purposes in creation of Buddhist sculptures, and the distinctive characteristics of sculptures in different areas were revealed, and the overall image of the Buddhist art of this particular period, though partly, was re-established. Less

本研究（2003年4期《论中国东魏北齐时期佛教艺术的先进性与保守性特征》）的目的是阐明明代时期都城邺城及周边地区佛教艺术的各种趋势。东魏北齐时期，尤其是这一时期的后半期（550-557） 据了解，响堂山石窟，或称北洞，是最早的石窟。该群石窟在风格上是北齐石窟中最具代表性的，佛教艺术也正是在该石窟的强烈影响下，在这一地区蓬勃发展。然而，这项研究重新审视了北齐石窟的绝对霸主地位。北窟这一时期的佛教艺术，说明了邺南都地区所建寺庙的雕刻艺术与一般邺地区的石窟艺术有明显的区别。手, 北方山东青州龙兴寺隐藏洞出土的齐代造像，无论是风格还是类型，都呈现出与北洞、南都不同的鲜明特色。山西地区的佛教造像虽然深受叶氏造像的影响，但也已形成了自己的风格，而且石窟艺术与石窟艺术的差异也很大。首都邺区与北齐境内其他地区之间的差异，取决于他们如何传承北魏末期及其之后的传统，以及他们如何应对来自印度和东南亚的外部影响。通过本次研究，我们认为，佛教造像创作的不同目的和不同地区造像的鲜明特征得以揭示，并部分地重新确立了这一特定时期佛教艺术的整体形象。

项目成果

A Study of the Bei Xiangtangshan North Caves

北响堂山北石窟研究

• 发表时间: 2004
• 期刊: BULLETIN OF INSTITUTE OF ART AND DESIGN 43
• 作者: 常田益代;常田益代;Yagi Haruo
• 通讯作者: Yagi Haruo

A Study on the Buddhist Sculptures of Ye cheng in Bei Qi period

北齐时期叶城佛教造像研究

• 发表时间: 2005
• 期刊: BULLETIN OF INSTITUTE OF ART AND DESIGN 45
• 作者: Kaori Suzawa;Reinhard Neudeoker;田中純;Masao Higurashi;八木 春生;常田益代;Akihiro Ozaki;KIRITA Kiyohide;TANAKA Jun;Yagi Haruo
• 通讯作者: Yagi Haruo

北響堂山石窟北洞に関する一考察

北教山石岛北道研究

• 发表时间: 2004
• 期刊: 筑波大学芸術学系研究報告『芸術研究報』筑波大学芸術学系 第43輯
• 作者: Akihiro;Ozaki;常田益代;KIRITA Kiyohide;八木 春生
• 通讯作者: 八木 春生

八木春生: "北響堂山石窟北洞に関する一考察"筑波大学学術研究報告第43輯芸術研究報24. 75-98 (2004)

八木晴夫：《北教山赤道北道研究》筑波大学学术研究报告第 43 卷艺术研究报告 24. 75-98 (2004)

北斉時代の首都における仏教寺院造像に関する一考察

北齐京城佛寺造像建筑研究

• 发表时间: 2005
• 期刊: 筑波大学芸術学系研究報告『芸術研究報』筑波大学芸術学系 第45輯
• 作者: Kaori Suzawa;Reinhard Neudeoker;田中純;Masao Higurashi;八木 春生
• 通讯作者: 八木 春生