The Overall Study of Inter-culture of Theater

戏剧跨文化的整体研究

基本信息

批准号：
09410017
负责人：
URA Masaharu
金额：
$ 7.04万
依托单位：
The University of Tokyo
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (B).
财政年份：
1997
资助国家：
日本
起止时间：
1997 至 2000
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-09410017/
关键词：
Representation Performing Arts Theater Performance Dance Physical Expression Spatial Art Film Theory 空間

项目摘要

This project has aimed to analyze the aspects of modern theatre, which is increasingly overriding the received boundaries of countries and cultures, and to re-examine the varied representational systems in the genre of theatre. The results we attained each year were as follows :In the year 1997, we started by re-examining numerous theater theories in various countries, which more or less influenced the establishment of modern European theatre, and in doing so, we clarified how each theory developed in relation to specific stage representations and specific methods of physical expressions, which greatly characterized each theory.In the year 1998, we studied the representational systems in theater from the viewpoints of physicality and spatiality. We theorized the dynamic interrelations between the forms of theater which have been developed out of certain physical and spatial sensibility peculiar to each culture, and the expressiveness of theater which have formed the physical and spatial entity peculiar to theatre.In the year 1999, we analyzed theater from a psychoanalytic viewpoint. This was not simply to analyze performing texts and scripts psychoanalytically, but to analyze how closely related theater is to psychoanalysis. We have clarified how hysteric bodies were historically repressed and released under the pressure of theatre. In the final year of the project, 2000, we reached the stage of incorporating all the research results into the constructing of our new perspective of theatre, which was possible by our time-consuming detailed analysis of the whole historic transmutations of representational systems of theater and by our pinpointing the very essence of the inter-cultural relations between specific physicality and spatiality within the genre of theater through the analyses of the interrelations of performing arts and other spatial arts such as dance.

该项目旨在分析现代戏剧的各个方面，它越来越超越国家和文化的既定界限，并重新审视戏剧流派中的各种表现系统。我们每年取得的成果如下：1997年，我们首先重新审视各国众多的戏剧理论，这些理论或多或少地影响了欧洲现代戏剧的建立，并在此过程中阐明了每种理论是如何发展的。 1998年，我们从物理性和空间性的角度研究了戏剧的表征系统。我们对戏剧形式与戏剧表现力之间的动态相互关系进行了理论分析。戏剧形式是从每种文化特有的某些物理和空间敏感性中发展而来的，而戏剧表现力则形成了戏剧特有的物理和空间实体。1999年，我们分析了从精神分析的角度看戏剧。这并不是简单地从精神分析角度分析表演文本和剧本，而是分析戏剧与精神分析的密切关系。我们已经阐明了历史上歇斯底里的身体是如何在戏剧的压力下被压抑和释放的。在该项目的最后一年，即 2000 年，我们达到了将所有研究成果纳入我们的戏剧新视角构建的阶段，这是通过我们对戏剧表征系统的整个历史变迁进行耗时的详细分析而实现的。通过分析表演艺术和舞蹈等其他空间艺术的相互关系，我们可以查明戏剧流派中特定的物理性和空间性之间的跨文化关系的本质。