Limits of Humour? Satire and Societal Change in Germany and France by the Example of the Magazines Pardon/Titanic and Hara-Kiri/Charlie Hebdo (1960/62-2017)

幽默的极限？

• 批准号: 418438662
• 负责人: Professor Dr. Jörg Requate
• 金额: --
• 依托单位: Lehrstuhl Geschichte Westeuropas im 19. und 20. Jahrhundert
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2019
• 资助国家: 德国
• 起止时间: 2018-12-31 至 2022-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/418438662?language=en
• 关键词: Limits; Humour; Satire; Societal; Change

The terrorist attack on the French satirical magazine Charlie Hebdo in January 2015 has shown dramatically, to what extent satire might be perceived as provocation. The broad solidarity with the magazine emphasized, how the fundamental rights of speech and the freedom of ex-pression belong to the most important Western values. Similar to the French satirical magazines Hara-Kiri/Charlie Hebdo their German equivalents Pardon/Titanic explored the limits of humor by crossing them intentionally. Therefore, they put the focus on actually provocative subjects and social taboos. The project aims to analyze these French and German satirical magazines in a comparative historical perspective between 1960/62 and 2017. By means of the question of how the magazines responded to processes of social transformation, conclusions may be drawn about the way social taboos could be redefined. Again, these transformations were closely related to the change of values and attitudes.

2015 年 1 月法国讽刺杂志《查理周刊》发生的恐怖袭击事件戏剧性地表明，讽刺在多大程度上可能被视为挑衅。该杂志的广泛声援强调了基本言论权和表达自由属于最重要的西方价值观。与法国讽刺杂志《原切》/《查理周刊》类似，德国的《赦免》/《泰坦尼克号》也有意跨越幽默的界限，探索幽默的界限。因此，他们把重点放在实际上具有挑衅性的主题和社会禁忌上。该项目旨在从 1960/62 年至 2017 年的比较历史角度分析这些法国和德国的讽刺杂志。通过这些杂志如何应对社会转型过程的问题，可以得出关于社会禁忌如何得以体现的结论。重新定义。同样，这些转变与价值观和态度的变化密切相关。