Identity Confusion and 'Mad Gain' in Nineteenth-Century England, France, and Russia.

十九世纪英国、法国和俄罗斯的身份混乱和“疯狂增益”。

• 批准号: 2887363
• 金额: --
• 依托单位: Royal Holloway University of London
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2023
• 资助国家: 英国
• 起止时间: 2023 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2887363
• 关键词: Identity; Confusion; Mad; Gain; Nineteenth

In the nineteenth-century writers were often preoccupied with what it meant to be mad. What causes it? How do mad people act? How do we stop or contain it? Should we even try? One form of madness gripped the artistic imagination with such power that it can be seen appearing across Europe, especially in Russia, France, and Britain. The double. The split. What would it be like to meet, or create, someone that was undoubtedly "you" and yet a complete stranger?As psychiatric science developed, society began giving this multiple names. First came the dédoublement, then the doppelgänger, next Multiple Personality Disorder, and now we call it Dissociative Identity Disorder. Nineteenth-century authors and psychiatrists worked in tandem to understand what this meant for mankind and for those living with the disorder. As time passed, the close alliance of art and medicine began to dissipate and DID was confined to the medical world.Until, in 2016, M. Night Shyamalan released his film 'Split', depicting a man with DID as a psychotic and terrifying beast, destined to destroy. Popular culture began to discuss multiple personalities, leading to irreparable damage to the worldwide community of sufferers. It is now time to collate all that we know from Critical Disability Studies, Mad Studies, Psychiatry, and Art in order to look back at these representations.My PhD will bridge this gap, develop 'Mad Gain' to prove the benefits of dissociative identities in helping us to all understand who we are and how we can fit into the world. I will argue for a positive outlook that will deconstruct traditional, damaging, representations and understandings and explore how people living with DID today can feel confident and proud of who they are.

在十九世纪，作家经常忙于生气的含义。是什么原因造成的？疯子怎么行事？我们如何停止或包含它？我们甚至应该尝试吗？一种疯狂的形式以如此的力量为基础，以至于可以看到欧洲，尤其是在俄罗斯，法国和英国。双人。分裂。毫无疑问是“你”却是一个完全陌生的人会见或创造一个人会是什么样？随着精神科科学的发展，社会开始给这个多个名字。首先是Dédoblement，然后是Doppelgänger，下一个多重人格障碍，现在我们称其为解离性身份障碍。 19世纪的作者和精神病学在同时工作，了解这对人类和患有这种疾病的人意味着什么。随着时间的流逝，艺术和医学的亲密联盟开始消散并局限于医疗世界。直到2016年，M. Night Shyamalan发行了他的电影“ Split”，描绘了一个人是一个精神病和可怕的野兽，被摧毁而被摧毁。流行文化开始讨论多种人物，从而导致对全球患者社区的无法弥补的损害。现在是时候整理我们从批判性残疾研究，疯狂研究，精神病学和艺术中知道的一切，以回顾这些表现。我的博士学位将弥合这一差距，发展“疯狂的收益”，以证明分离性身份的好处，以帮助我们所有人了解我们是谁以及我们如何适应世界。我将争取一种积极的看法，该前景将解构传统，破坏性，代表性和理解，并探索今天与之生活的人们如何对自己的身份充满信心和自豪。