Filming intimacy: towards a model of ethical interactivity for Intimacy Coordination within film production

拍摄亲密关系：建立电影制作中亲密协调的道德互动模型

• 批准号: 2875330
• 金额: --
• 依托单位: Lancaster University
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2022
• 资助国家: 英国
• 起止时间: 2022 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2875330
• 关键词: Filming; intimacy; towards; model; ethical

This practice-based research seeks to establish a methodology of Intimacy Coordination (henceforth "IC") rooted in improvisation and Laban Movement Analysis (henceforth "LMA"), informed by phenomenology and guided by an ethics of consensual interactivity. The need for research into IC has never been greater. In the wake of the #MeToo-movement - born from multiple scandals in theatre, film and dance - a number of guidelines were published for working with intimacy. Yet many claim this calcifies the creative process, leading to a "reluctance by creators to use [intimacy] coordinators" (Hilton 2020). There is suspicion, too, about the use of improvisation within IC. "Even if clear boundaries have been established, improvising intimacy [...] isn't a safe choice" concludes Pace (2020: 68). I, though, am convinced that an ethical and studied application of improvisation within IC can not only safeguard but positively benefit from the personal integrity and creative agency of performers and thus have a marked influence on the artistic quality and significance of intimate scenes. Indeed, this research will have an impact not only on IC and the exploration of intimacy within drama schools, but our understanding of ethical decision-making within film production in general.The timeliness of this research is evident from the recent launch of The Journal of Consent-Based Performance (Theatrical Intimacy Education 2021), BFI funding for wellbeing facilitators (Dams 2022) and challenges surrounding social distancing (Baughan 2020).

这项基于实践的研究旨在建立一种植根于即兴创作和拉班运动分析（以下简称“LMA”）的亲密协调（以下简称“IC”）方法，以现象学为基础，并以双方同意的互动伦理为指导。对 IC 研究的需求从未如此强烈。 #MeToo 运动因戏剧、电影和舞蹈领域的多起丑闻而兴起，随后发布了一系列有关亲密关系的指南。然而许多人声称这会僵化创作过程，导致“创作者不愿意使用[亲密]协调员”（Hilton 2020）。对于 IC 内部即兴创作的使用也存在怀疑。佩斯总结道：“即使已经建立了明确的界限，即兴的亲密关系[……]也不是一个安全的选择”（2020：68）。不过，我相信，在 IC 中对即兴创作进行合乎道德和研究的应用不仅可以保护表演者的个人诚信和创造力，而且还能从表演者的个人诚信和创造性机构中积极受益，从而对亲密场景的艺术质量和意义产生显着影响。事实上，这项研究不仅会影响 IC 和戏剧学校内对亲密关系的探索，还会影响我们对电影制作中道德决策的理解。基于同意的表演（戏剧亲密教育 2021 年）、BFI 为福祉促进者提供的资金（水坝 2022 年）以及围绕社交距离的挑战（Baughan 2020 年）。