Queer Identities in Brazilian Political and Audiovisual History

巴西政治和视听历史中的酷儿身份

• 批准号: 2750492
• 金额: --
• 依托单位: University of Warwick
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2022
• 资助国家: 英国
• 起止时间: 2022 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2750492
• 关键词: Queer; Identities; Brazilian; Political; Audiovisual

This project will focus on queer Brazilian production from 1964 to the present. It aims to develop atheoretical framework that accounts for the interferences between my selected films and the historical political scenario upon their release. In countries with a high rate of violence against queer people, suchas Brazil, the films made by and with queer characters have collaborated in creating awareness andsecuring rights for the LGBTQIA+ community - Colling (2018).In light of this, this PhD project intends to discuss the approximations between aesthetics, ethics, andpolitics in Brazilian queer filmmaking, with a focus on the representations of marginalised subjects. Bydrawing upon Sims (1988), Moreno (2002), Rancière (2009), and Trevisan (2018), this project willcontribute to debates about gender, decoloniality, and cinema in a Latin American context. One of itsdriving questions will be: what are the relationships between queer audiovisual production and thepolitical scenario through Brazilian history? This research will have a decolonial approach by focusing ona Brazilian context, by promoting marginalized voices, and by using mainly Latin-American scholars forits development, such as Muñoz (1999), Santos (2010), Marques (2014), and Louro (2018).My goal is to understand how cinema can help us identify a path of queer representations within Brazilianqueer political history and how, both in films made by queer people and films not made by queer people,but that feature queer characters, there is a power structure centered on queerness. To that end, I intendto conduct a longitudinal study, with a social-historical emphasis, by looking at a corpus of 8 films relatedto different historical periods within Brazil. To explore the historical and political context that impacts theproduction and reception of films, I will select works that cover the period between 1964 and the present.This periodisation is necessary because it encompasses a scenario of intense political change in Brazil,covering four different forms of political and economic regimes: 1964-1985 (military dictatorship); 1985-1989 (neoliberalism and nationalism); 1989-2016 (neoliberalism and democratisation); 2016-2021 (riseof the far right).

该项目将重点关注 1964 年至今的巴西酷儿制作，旨在建立一个理论框架，解释我选择的电影与电影发行后的历史政治场景之间的干扰。例如巴西，酷儿角色制作的电影在提高 LGBTQIA+ 群体的意识并确保其权利方面进行了合作 - Colling (2018)。有鉴于此，本博士项目旨在讨论该项目将探讨巴西酷儿电影制作中的美学、伦理和政治，重点关注边缘化主体的表现。拉丁美洲背景下的性别、非殖民性和电影是其驱动性问题之一：酷儿视听制作与政治场景之间的关系是什么。这项研究将采用非殖民化方法，重点关注巴西背景，促进边缘化声音，并主要利用拉丁美洲学者，如 Muñoz (1999)、Santos (2010)、Marques (2014)。 ，和Louro（2018）。我的目标是了解电影如何帮助我们在巴西酷儿政治历史中识别酷儿表征的道路，以及如何在酷儿人制作的电影和非酷儿人制作的电影中酷儿人群，但以酷儿人物为特征，存在以酷儿性为中心的权力结构。 为此，我打算通过查看与不同历史时期相关的 8 部影片进行纵向研究，重点是社会历史。巴西 为了探索影响电影制作和接受的历史和政治背景，我将选择涵盖 1964 年至今这一时期的作品。这种分期是必要的，因为它描绘了巴西激烈的政治变革的场景，涵盖了四个不同的时期。政治和经济形式政权：1964-1985（军事独裁）；1985-1989（新自由主义和民族主义）；1989-2016（新自由主义和民主化）；2016-2021（极右翼崛起）。