Leonore from scratch / or / The Origins of Beethoven's Operatic Ensembles

莱奥诺从头开始 / 或 / 贝多芬歌剧团的起源

基本信息

批准号：
2743629
负责人：
金额：
--
依托单位：
University of Cambridge
依托单位国家：
英国
项目类别：
Studentship
财政年份：
2022
资助国家：
英国
起止时间：
2022 至无数据
项目状态：
未结题

来源：
https://gtr.ukri.org/projects?ref=studentship-2743629
关键词：
Leonore scratch Origins Beethoven Operatic

项目摘要

The doctoral project focuses on Beethoven's sketches for the trios and quartets of his only opera 'Leonore'/'Fidelio'. Beethoven famously struggled with vocal ensemble writing and consequently took lessons from Salieri. He also studied Salieri's opera 'Les Danaïdes', Cherubini's 'Les deux journées', Mozart's 'Don Giovanni' and 'The Magic Flute', copying passages from them. These preliminary studies are closely linked to his own opera composition intentions. The vast corpus of surviving compositional sketches by Beethoven provides manifold evidence of his working methods, and traces of his musical thinking. As an integral part of his works' "biographies", they hold those musical ideas from which he eventually shaped his compositions. 'One sees becoming, emerging', Brahms writes of Beethoven's sketchbooks. This research project aims to yield deep insights into Beethoven's modus operandi, difficulties and solutions in composing the vocal ensembles for his opera with regard to the effect of his studies with Salieri as well as his habit of copying from his peers. So far, this has only been touched upon in the literature; concrete implications for Beethoven's own work have not been addressed. Hitherto unedited sketches will be made accessible through transcriptions. Inferences about the entire opera, its conception, its biographical, and compositional context will be drawn. The doctoral project thus constitutes a desideratum for musicology in several respects.

博士项目的重点是贝多芬的素描，该素描是他唯一的歌剧“莱昂诺尔”/“菲德利奥”的三重奏。贝多芬著名地在人声合奏中挣扎，因此从萨利里（Salieri）上了课。他还研究了Salieri的歌剧“ LesDanaïdes”，Cherubini的“ Les Deux Journales”，Mozart的“ Don Giovanni”和“ The Magic Flute”，从他们那里复制了段落。这些初步研究与他自己的歌剧作品意图紧密相关。贝多芬的庞大生存构图草图提供了他的工作方法的多种证据以及他的音乐思维的痕迹。作为他作品“传记”的组成部分，他们拥有那些音乐创意，最终从中塑造了他的作品。勃拉姆斯写了贝多芬的素描本写道，“人们看到正在成为新兴”。该研究项目旨在深入了解贝多芬的作案手法，难度和解决方案，以撰写他在Salieri研究的效果以及他从同伴中复制他的习惯的歌剧声乐合奏。到目前为止，这仅在文献中得到了探讨。尚未解决贝多芬自己工作的具体影响。迄今未编辑的草图将通过抄录访问。将得出有关整个歌剧，其概念，其传记和综合背景的推论。因此，博士项目在几个方面构成了音乐学的渴望。