Camp Critique: Queer Performance, Austerity and British Live Art (2010-present)

营地评论：酷儿表演、紧缩和英国现场艺术（2010 年至今）

• 批准号: 2676512
• 金额: --
• 依托单位: Queen Mary University of London
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2021
• 资助国家: 英国
• 起止时间: 2021 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2676512
• 关键词: Camp; Critique; Queer; Performance; Austerity

My project examines how queer performance has responded to the material extremes of scarcity and excess which constitute austerity time. Recontextualising 'camp' away from Susan Sontag's notion of it as an apolitical aesthetic, I propose that queer performers utilise a camp modality to challenge the naturalisation of privation and restraint as necessary socioeconomic controls, and with it, entrenched linear temporal logics of productive time. Queer performers, instead, practice abundant models of cultural production with limited material means. I theorise camp as a performative approach which actualises alternate possibilities to productive time and the politics of unequal deprivation under austerity.

我的项目研究了酷儿绩效如何应对构成紧缩时间的稀缺性和过剩的极端。我提出，酷儿表演者利用营地模式来挑战私密和约束作为必要的社会经济控制，并随之挑战苏珊·桑塔格（Susan Sontag）的观念，从苏珊·桑塔格（Susan Sontag）的观念中重新连接“营地”，并以此来挑战生产时间的线性时间逻辑。相反，酷儿表演者以有限的材料手段来实践丰富的文化生产模型。我的理论营是一种表演性方法，它实现了在紧缩政策下的生产时间和不平等剥夺政治的其他可能性。