Developing the disappearing art of Lefkaritika into a community pedagogy, in order to witness the silences in marginalised women's lives.

将正在消失的 Lefkaritika 艺术发展为社区教育学，以见证边缘化妇女生活中的沉默。

• 批准号: 2627788
• 金额: --
• 依托单位: University of Brighton
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2021
• 资助国家: 英国
• 起止时间: 2021 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2627788
• 关键词: Developing; disappearing; art; Lefkaritika; into

'Lefkaritika', a style of lacemaking unique to rural Cyprus, was so admired by Leonardo Da Vinci that following a visit in 1491, he bought a piece for the altar cloth of the Milan Cathedral, which inspired the tablecloth in his painting The Last Supper (Özyigit, 2020, p.47). In 2009, recognising both the craft's international significance and the immediate threat to its survival, the United Nations inscribed it onto the 'Representative List of Intangible Cultural Heritage of Humanity' (UNESCO, 2009). Defined as a 'social and artistic practice', Lefkaritika is now 'under such stress that it may disappear' because knowledge primarily lies in the ageing hands and memories of the few remaining lacemakers (Kokko, Kaipainen, 2015 p.10). In2014, approximately 250 women worked in Lefkara alone, the village which gives the lace its name(UNESCO, 2014) and where my paternal family lived. Today there are barely 40 scattered across the island(Interview with Margarita, Castledine, 2020).During my Creative Writing MA, despite the pandemic, I completed two Erasmus funded residencies in Lefkara (Grampus Heritage Training Ltd). Adopting an ethnographic approach (Pink, 2013) and supported by my career as a community arts practitioner, I began to explore interdisciplinary representations of silence in traumatised women's testimony, especially where silence acts as a protective mechanism (Nórby,2005). Through qualitative interviews with villagers and visual analysis of archive material, multi-layered silences in and around the lacemakers' lives were revealed. Just like the deliberate creation of holes, a defining feature of Lefkaritika, these silences are often intentional; conscious gaps embedded into the fabric of a story. Building on emerging feminist theory, which positions silence as a rhetoric of the deliberately unspoken (Glenn, 2004), I intend to develop a pedagogy that witnesses silences in vulnerable women's lives, including how gaps may be heard, shared and ultimately encourage voice.

莱昂纳多·达·芬奇（Leonardo da Vinci）在1491年访问后，莱昂纳多·达·芬奇（Leonardo da Vinci）非常欣赏塞浦路斯（Rough Cyprus）的莱夫卡里蒂卡（Lefkaritika），这是一种钦佩，他为米兰大教堂的祭坛布买了一件作品，这启发了桌布，这启发了他的绘画中的桌布（Özyigit，2020年，第2020页，第47页）。 2009年，联合国认识到工艺的国际意义和对其生存的直接威胁，将其刻在“人类无形文化遗产的代表名单上”（联合国教科文组织，2009年）。 Lefkaritika现在被定义为“社会和艺术实践”，现在“在压力下可能消失”，因为知识主要在于老化的手和剩下的少数舞蹈者的记忆（Kokko，Kaipainen，2015 P.10）。在2014年，大约有250名妇女独自在莱夫卡拉（Lefkara）工作，该村庄以蕾丝的名字（联合国教科文组织，2014年）和我的父亲家庭住所。今天，整个岛上只有40个散布在整个岛上（玛格丽塔酒，卡斯莱恩，2020年）。在我的创意写作妈妈中，尽管大流行，但我在莱夫卡拉（Grampus Heritage Training Ltd）完成了两名伊拉斯mus资助的基金会。采用民族志方法（Pink，2013），并得到了我作为社区艺术从业人员的职业的支持，我开始探索受创伤的妇女证词中沉默的跨学科代表，尤其是在沉默充当保护机制的情况下（Nórby，2005年）。通过对村民的定性采访以及对档案材料的视觉分析，揭示了鞋类制造商生活中及其周围的多层沉默。就像故意创造洞的洞（Lefkaritika的定义特征）一样，这些沉默通常是故意的。有意识的缝隙嵌入了故事的结构中。我以新兴的女权主义理论为基础，将沉默定位为故意不言而喻的言论（Glenn，2004年），我打算开发一种教育学，证明弱势妇女生活中的沉默，包括如何听到，分享和最终鼓励声音。