Engraving, Jansenism, and Women in Eighteenth-Century Paris

十八世纪巴黎的版画、詹森主义和女性

• 批准号: 2456302
• 金额: --
• 依托单位: Queen Mary University of London
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2020
• 资助国家: 英国
• 起止时间: 2020 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2456302
• 关键词: Engraving; Jansenism; Women; Eighteenth; Century

My research explores histories of art, religion, and gender in eighteenth-century Paris. I investigate the role of women - as subjects, printmakers, distributors, advocates, and consumers - in non-conformist religious groups and identify the extent of their influence as catalysts for provoking socio-religious change. I am specifically interested in engravings produced during France's religious polemics concerning Jansenists, Convulsionaries, other Catholic factions, and secular institutions where women were often left out of public discourse. Her research interests include eighteenth-century art, printmaking, social history, feminist art history, and women's studies.

我的研究探讨了18世纪巴黎艺术，宗教和性别的历史。我调查了妇女在不遵守宗教团体中作为受试者，版画者，分销商，倡导者和消费者的作用，并确定其影响力的程度是引起社会宗教变革的催化剂。我特别对法国宗教关于詹森主义者，抽搐，其他天主教派别和世俗机构的宗教辩论中制作的版画特别感兴趣，这些雕刻经常被拒之门外。她的研究兴趣包括18世纪的艺术，版画，社会历史，女权主义艺术史和妇女研究。