Refugee Art Dealers in London: New Artists, Networks and Approaches, 1933-1960

伦敦的难民艺术品经销商：新艺术家、网络和方法，1933-1960

• 批准号: 2311330
• 金额: --
• 依托单位: Kingston University
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2019
• 资助国家: 英国
• 起止时间: 2019 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2311330
• 关键词: Refugee; Art; Dealers; London; New

Art dealers who escaped Nazism to settle in the UK from 1933-1938 are conspicuous by their relative absence in the existing histories of modern art in Britain and exile studies. Appearing sporadically in artist's narratives and gallery histories, they take centre stage only in their own writings and memoirs. My research breaks new ground by focusing specifically on art dealers (rather than artists) and expands exile studies - predominantly focused on German-speakers émigrés - to include significant figures from eastern European countries. This much needed and timely research intersects with current academic and museological ambitions to uncover networks and infrastructures that have supported famous and lesser-known artists and exile and diasporic studies, and has particular significance for contemporary understanding of the contribution of émigrés to British culture.Without such rigorous academic enquiry it is impossible to know, for example, whether Francis Bacon would have risen to fame without Erica Brausen's unstinting support; if Josef Herman would be known today without Roland, Browse & Delbanco's exhibitions; or if L.S. Lowry's stick figure scenes would be recognisable to wide audiences without Andras Kalman's friendship.Through analysis of archival and collection materials at the Ben Uri and other holdings in the UK, Germany and Austria, this innovative study will establish the specific contribution of émigré art dealers, including key male and female figures such as Gustav Delbanco and Henry Roland, Harry Fisher and Frank Lloyd, Jack Bilbo, Kalman, Herbert Bier, William Ohly, Alfred Flechtheim, the Gimpel brothers, and Brausen, Annely Juda, Lea Bondi Jaray, Halima Nalecz and Monika Kinley. Outcomes will be a written thesis, an online resource of oral history interviews highlighting the value of "intangible" history in archival and academic study, and an exhibition focusing on émigré art dealers contribution to modern British artists' careers for diverse public audiences.

从1933 - 1938年开始，逃脱纳粹主义在英国定居的艺术经销商显然是在英国现有现代艺术和流放研究的现有现有艺术历史中的相对缺席。他们偶尔出现在艺术家的叙事和画廊历史中，只有自己的著作和回忆录才成为中心舞台。我的研究通过专门关注艺术经销商（而不是艺术家），并扩大流放研究（主要集中在德国扬声器上），包括来自东欧国家的重要人物，从而打破了新的基础。这项急需和及时的研究与当前的学术和医学野心相交，以发现支持著名且鲜为人知的艺术家以及流亡和流散研究的网络和基础设施，并且对于当代对移民对英国文化的贡献的理解具有特殊意义。如果没有如此严格的学术询问，就不可能知道，如果没有埃里卡·布劳森（Erica Brausen）的坚定支持，弗朗西斯·培根（Francis Bacon）是否会成名；如果没有Roland，Browse＆Delbanco的展览，今天就会知道Josef Herman；或如果L.S.洛里（Lowry）的棍子景色场景将被公认在没有安德拉斯·卡尔曼（Andras Kalman）的友谊的情况下，可以在本乌里（Ben Uri）以及英国，德国，德国和奥地利的其他股份进行档案和收集材料的分析，这项创新的研究将建立埃米格（Oémigré）艺术经销商的具体贡献赫伯特·比尔（Herbert Bier），威廉·霍利（William Hohly），阿尔弗雷德·弗莱希蒂姆（Alfred Flechtheim），吉姆兄弟（Gimpel Brothers）和布劳森（Brausen），安妮（Annely Juda），莉亚·邦迪（Lea Bondi Jaray），哈利玛·纳莱克（Halima Nalecz）和莫妮卡·金利（Monika Kinley）。成果将是一篇书面论文，是一种口述历史访谈的在线资源，强调了“无形”历史在档案和学术研究中的价值，以及一个针对移民艺术经销商对现代英国艺术家职业生涯贡献的展览。