The genealogy of the "Typology" in the German modern Literature

德国现代文学“类型学”的谱系

基本信息

批准号：
16520133
负责人：
YOSHIKATSU Kawanago
金额：
$ 2.08万
依托单位：
The University of Tokyo
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2004
资助国家：
日本
起止时间：
2004 至 2007
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-16520133/
关键词：
religion enlightenment tradition typology image typos hymn Hamann 讃美歌

项目摘要

The purpose of the research was to pursue the tradition of the typology in the history of the German modern literature. I pointed out religious figures of speech such as "typos" and "allegory" concretely, and described them from the viewpoint of genealogy. Usual history of literature does it by the characterization and the classification of ages: classicism, romanticism, realism, naturalism etc. But, I didn't take such a method. I took up the "typological" images that religion and tradition had cultivated and then researched the styles which the images brought. By such a way I reexamined the outline of the history of literature until now and tried to present the new outline as a history of influences of metaphors.In search for this problem, I dealt with the religious materials from the 16th till 18th century, which were not researched in Japan so far. I specially chose hymnbooks and literatures such as autobiographies and doctrine documents. I made efforts to pick out "typological" metaphors in those books and to interpret them, and then I searched for the influences of them on the secular literatures from the viewpoint of the history of literature. So I cleared the problems of the poetics of Erich Auerbach by comparison with literatures of theology and philosophy.I wrote a part of the result as a book: "An introduction to the poetics", which was newly published. After some discussions with other professors, I wrote also the report of the research until now, in which I dealt with all the results I got. The new problem of the "Theodizee" and other themes were also discussed there.

研究的目的是追寻德国现代文学史上类型学的传统。我具体指出了“错别字”、“寓言”等宗教修辞手法，并从谱系学的角度对其进行了描述。通常的文学史都是通过时代的表征和分类来做到的：古典主义、浪漫主义、现实主义、自然主义等等。但是，我没有采取这样的方法。我采用了宗教和传统所培育的“类型学”图像，然后研究了这些图像所带来的风格。通过这样的方式，我重新审视了迄今为止的文学史的轮廓，并试图将新的轮廓呈现为一部隐喻影响的历史。为了寻找这个问题，我处理了16世纪至18世纪的宗教材料，其中日本目前还没有研究过。我特别选择了赞美诗和自传、教义文献等文学作品。我努力从这些书中挑选出“类型学”的隐喻并加以解读，然后从文学史的角度寻找它们对世俗文学的影响。于是我通过与神学、哲学文献的比较，厘清了埃里希·奥尔巴赫诗学的问题。我将其中的一部分写成了书：《诗学概论》，新出版了。经过与其他教授的一些讨论，我还写了迄今为止的研究报告，其中我处理了我得到的所有结果。会议还讨论了“Theodizee”的新问题和其他主题。