An research at a certificate of validity on the figure in the literature of the sericulture in the Edo era

江户时代养蚕文献人物形象的有效证明研究

• 批准号: 06610328
• 负责人: YUASA Takeshi
• 金额: $ 1.15万
• 依托单位: NATIONAL MUSEUM OF JAPANESE HISTORY
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 1994
• 资助国家: 日本
• 起止时间: 1994 至 1996
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-06610328/
• 关键词: SERICULTURE; LITERATURE OF RESEARCH CF THE SILK-RAISING INDUSTRY; FIGURE; *** "Koushoku-zu"; **** "Yousan-Hiroku"; 養蚕技術書; 挿絵; 西欧養蚕国; 絵画; 博物学; 日本近世史; 養蚕業; 史料学

The subject of this research is an investigation relative to a certificate of validity on the figure in the literature of research of the silk-raising industry in the Edo era.In conclusion, the subject is made clear : the figure of the silk-raising industry in the Edo era is influenced by *** "Koushoku-zu", drawings of a theme of farm labor and seciculture in China. During the Edo era, the contents of an illustration changed by degree from drawing to illustration with a view to the transmission of the method of rearing of a silkworm.The epoch-making of this tendency was the beginning of nineteenth century, **** UEGAKI Morikunu, a seciculturist of Tajima-no-kuni, brang out **** "Yousan-Hiroku", a literature of research of the silk-raising industry. This literature included many figure of new method. But, these figures could not excluded several special characters of drawings. From this epoch to the mid-nineteenth century, many literature included. But, the figures of the literatures were copies of "Yosan-Hiroku".In the mid-nineteenth century, Japan started the cultural exchange with Western Europe and America. At this time, the method of rearing of a silkworm in Europe was imported in Japan. In 1872, **** TAJIMA Yahei, a seciculturist of Kouzuki-no-kuni who learned the method of rearing of a silkworm in Europe, brang out **** "Yousan-Shinron", a literature of new research of the silk-raising industry. In this literature, many illustrations of rearing of a silkworm were included. Now these illustrations were not endowed with special characters of drawings.

本研究的课题是对江户时代养丝业研究文献中的形象的有效性证明进行调查。综上所述，明确了主题：养丝业的形象。江户时代的作品受到***《耕作图》的影响，这是一幅以中国农业劳动和农耕为主题的图画。江户时代，为了传播养蚕方法，插图的内容逐渐从绘画变为插图。这种趋势的划时代性是在19世纪初，****但马之国的养蚕家植垣盛国出版了研究养丝业的文献《有山博》。该文献包括许多新方法的图。但是，这些数字并不能排除图纸中的几个特殊字符。从这个时代到十九世纪中叶，许多文学作品都包括在内。但是，文献中的人物却是《与三博》的临摹。十九世纪中叶，日本开始了与西欧、美洲的文化交流。这时，欧洲的养蚕方法传入了日本。 1872年，****光月国的蚕农田岛弥平在欧洲学习了蚕的饲养方法，出版了****新研究丝绸的文献《有山真论》。 ——饲养业。在这些文献中，包括许多养蚕的插图。现在这些插图并没有被赋予绘画的特殊特征。