A Historical Study on Japanese Phonology and Accent by Old Type HEIKYOKU Scores

用旧式平曲乐谱对日语音韵和口音进行历史研究

基本信息

批准号：
14510454
负责人：
UENO Kazuaki
金额：
$ 1.15万
依托单位：
Waseda University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2002
资助国家：
日本
起止时间：
2002 至 2004
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-14510454/
关键词：
History of Japanese Accent Kyoto Accent of Edo Period Heikyoku Scores Heike Mabushi Old type Heikyoku Scores GINPU-type Heikyoku Scores TOYOKAWA's Heikyoku Scores Accent of Kyoto Dialect 平曲譜名乗のアクセント特殊低起式表記方言アクセント単純語のアクセント複合語

项目摘要

The present study tries to establish the procedure for reconstructing the accent patterns of pre-modern Kyoto from Heikyoku scores. The main findings are as follows.1.The correspondence of Heikyoku scores and noun accents, especially those of one syllable nouns are reliably demonstrated.2.For the accent of two syllable noun when they appear with genitive particle ‘no', Heikyoku scores consistently differentiate so-called class 2 nouns from class 3 nouns.3.The score for exceptional low beginning melody found in Heike Mabushi can be classified into several types.4.The accent of person's name in self-introduction can be utilized for the reconstruction of historical change of accent in Kyoto, i.e. leveling to frequent types and merger of accent types.5.The accent of person's name in self-introduction in contemporary performances falls into either H0 or H1 pattern. While the former is one of the basic accent patterns in contemporary Kyoto, the latter is foreign to the pre-modern Kyoto accent reconstructed from the scores in Heike Mabushi-this pattern was presumably derived from older LLHL type.6.Among existing old type Heikyoku scores, a remarkable correspondence is found between the Tsukuba University, Yayubon, Mabushi, and Hatanoryu (Kyoto University collection) scores. This suggests that their scores largely reflect the accent of pre-modern Kyoto.7.Among Edo Maedaryu Ginpu-type scores, a remarkable correspondence is found to the Tsukuba University score. In contrast, the so-called Toyokawa's score (Theatre Museum, Waseda University collection), which is said to be among the Edo Maedaryu, correspondence is poorer to the Tsukuba University and better to the Mabushi score. It is difficult to demonstrate the correspondence to any kind of accent for Heikesho score (collection of Haruhiko Kindaichi). More study is needed for this one.

本研究试图建立从Heikyoku分数重建前现代京都的口音模式的程序。主要发现如下。1。Heikyoku得分和名词重音的对应关系，尤其是一个音节名词的对应关系。类型。4。在自我引言中的重音可以用于重建京都的重音的历史变化，即在当代表演中以自我介绍中的个人名字升级到频繁的类型和合并。 While the former is one of the basic accent patterns in contemporary Kyoto, the Latter is foreign to the pre-modern Kyoto accent reconstructed from the scores in Heike Mabushi-this pattern was presumably derived from older LLHL type.6.Among existing old type Heikyoku scores, a remarkable correspondence is found between the Tsukuba University, Yayubon, Mabushi, and Hatanoryu （京都大学收藏）分数。这表明他们的分数在很大程度上反映了京都前现代的口音。相比之下，所谓的Toyokawa的乐谱（戏剧博物馆，Waseda University Collection），据说是Maedaryu，Tsukuba University的信件较差，对Mabushi得分更好。很难证明Heikesho得分（Haruhiko Kindaichi的收藏）的任何一种口音的对应。这项研究需要更多的研究。