A Historical Study on Japanese Phonology and Accent by Old Type HEIKYOKU Scores

用旧式平曲乐谱对日语音韵和口音进行历史研究

基本信息

批准号：
14510454
负责人：
UENO Kazuaki
金额：
$ 1.15万
依托单位：
Waseda University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2002
资助国家：
日本
起止时间：
2002 至 2004
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-14510454/
关键词：
History of Japanese Accent Kyoto Accent of Edo Period Heikyoku Scores Heike Mabushi Old type Heikyoku Scores GINPU-type Heikyoku Scores TOYOKAWA's Heikyoku Scores Accent of Kyoto Dialect 平曲譜名乗のアクセント特殊低起式表記方言アクセント単純語のアクセント複合語

项目摘要

The present study tries to establish the procedure for reconstructing the accent patterns of pre-modern Kyoto from Heikyoku scores. The main findings are as follows.1.The correspondence of Heikyoku scores and noun accents, especially those of one syllable nouns are reliably demonstrated.2.For the accent of two syllable noun when they appear with genitive particle ‘no', Heikyoku scores consistently differentiate so-called class 2 nouns from class 3 nouns.3.The score for exceptional low beginning melody found in Heike Mabushi can be classified into several types.4.The accent of person's name in self-introduction can be utilized for the reconstruction of historical change of accent in Kyoto, i.e. leveling to frequent types and merger of accent types.5.The accent of person's name in self-introduction in contemporary performances falls into either H0 or H1 pattern. While the former is one of the basic accent patterns in contemporary Kyoto, the latter is foreign to the pre-modern Kyoto accent reconstructed from the scores in Heike Mabushi-this pattern was presumably derived from older LLHL type.6.Among existing old type Heikyoku scores, a remarkable correspondence is found between the Tsukuba University, Yayubon, Mabushi, and Hatanoryu (Kyoto University collection) scores. This suggests that their scores largely reflect the accent of pre-modern Kyoto.7.Among Edo Maedaryu Ginpu-type scores, a remarkable correspondence is found to the Tsukuba University score. In contrast, the so-called Toyokawa's score (Theatre Museum, Waseda University collection), which is said to be among the Edo Maedaryu, correspondence is poorer to the Tsukuba University and better to the Mabushi score. It is difficult to demonstrate the correspondence to any kind of accent for Heikesho score (collection of Haruhiko Kindaichi). More study is needed for this one.

本研究试图建立从平曲乐谱重建前现代京都重音模式的程序，主要研究结果如下：1.可靠地证明了平乐乐谱与名词重音，特别是单音节名词重音的对应关系。 2.对于双音节名词与所有格助词“no”一起出现时的重音，平曲分数始终区分所谓的2类名词和3类名词3.《平家马伏什》中的特殊低开头旋律的乐谱可以分为几种类型。4.自我介绍中人名的重音可以用来重建京都重音的历史变迁，即拉平到5、当代表演中自我介绍中人名的重音分为H0型和H1型，前者是现代表演中基本的重音型之一。京都，后者与根据 Heike Mabushi 乐谱重建的前现代京都口音不同——这种模式大概源自较旧的 LLHL 类型。 6. 在现有的旧类型 Heikyoku 乐谱中，发现了筑波大学、 Yayubon、Mabushi和Hatanoryu（京都大学收藏）的乐谱这表明他们的乐谱很大程度上反映了前现代京都的口音。7.江户前流之间。银风型乐谱与筑波大学的乐谱有显着的对应性，而据说江户前流的所谓丰川乐谱（戏剧博物馆、早稻田大学收藏）与筑波的对应性较差。大学和 Mabushi 分数很难证明平家分数（Haruhiko Kindaichi 的集合）与任何一种口音的对应性，这需要更多的研究。