A study on the variety of the 16^<th> c.art

16^<th>c.art品种研究

• 批准号: 14510076
• 负责人: NAMIKI Seishi
• 金额: $ 1.98万
• 依托单位: Kyoto Institute of Technology
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2002
• 资助国家: 日本
• 起止时间: 2002 至 2005
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-14510076/
• 关键词: Kano school; Ohgi no Soshi; Waka; Fan painting; Shell matching game; Kano Motonobu; Toyotomi Hideyoshi; Sliding panel painting; 16世紀; 器物; 風俗画; 室町時代; 絵巻; 歌絵; 源氏物語; 遊楽図; 日明貿易; 釈迦堂縁起; 詩画軸; 戦記文学; 合戦絵巻; 水墨画; 日蓮宗; 狩野正信; 酒飯論絵巻; 妙顕寺

I believe that the 16^<th> century was a period of cultural transformation in a variety of ways. This research analyzes this belief from the perspective of "objects", fan paintings and the paintings by Kano school painters.From the end of the 16^<th> century to the 17^<th> century, illustrations of "objects" appeared on large screens and on murals. This transformation shows that "objects" became independent of literature and games, increasing their artistic features for appreciation. Pictorialization of "objects" was also representative of people's interest in the "objects" around them. And, at the same time, people's interest in people around them generated genre paintings during this period.Two developments in art history, pictorialization of "objects" and the establishment of genre paintings are, at first sight, antithetical characteristics of the 16^<th>-century art, but as I have pointed out here, they both took place.In this sense, the 16^<th> century was a turning point in art history.

我相信，16世纪是一个在多种方面发生文化转型的时期。本研究从“物”、扇面画以及卡诺派画家的绘画的角度来分析这种信仰。从16世纪末到17世纪，“物”的插图出现在大屏幕和壁画上。这种转变表明“物”独立于文学和游戏，增加了其欣赏性的艺术特征。 “物”的图像化也代表了人们对周围“物”的兴趣。与此同时，人们对周围人的兴趣也在这一时期催生了风俗画。艺术史上的两个发展——“物”的图像化和风俗画的建立，乍一看是16^<从这个意义上说，16世纪是艺术史的转折点。

项目成果

Drawing Objects-"Turn of Paintings" in the 16^<th> Century

绘画对象——16世纪的“绘画转向”

• 发表时间: 2005
• 期刊: Journal of the Japan Society of Design 47
• 作者: 並木誠士;Seishi NAMIKI
• 通讯作者: Seishi NAMIKI

並木誠士: "礒田湖龍斎筆雪中美人図について"國華. 1290号(未定). (2003)

并木诚二：“关于矶田子龙斋的雪中美女画”，国尼卡第 1290 期（待定）。

並木誠士: "妙顕寺本文殊普賢菩薩像について"デザイン理論 (意匠学会会誌). 42. 33-46 (2003)

并木清史：《关于妙见寺的文殊普贤菩萨像》设计理论（设计学会杂志）42. 33-46 (2003)。

On the hanging scrolls of the Manjusri and the Samantabha in Myokenji

妙见寺的文殊菩萨和普贤菩萨挂轴上

• 发表时间: 2003
• 期刊: Journal of the Japan Society of Design 42
• 作者: 並木誠士;Seishi NAMIKI;並木誠士;並木誠士;並木誠士;Seishi NAMIKI
• 通讯作者: Seishi NAMIKI

並木誠士 (共著): "中世日本の物語と文学"放送大学教育振興会. 239 (2004)

并木诚史（合着）：《中世纪日本的故事与文学》开放大学教育促进会第239期（2004年）。