A Synthetic Study on Mao-ist Model

毛主义模式的综合研究

• 批准号: 13610532
• 负责人: MAKI Yoichi
• 金额: $ 1.28万
• 依托单位: Saitama University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2001
• 资助国家: 日本
• 起止时间: 2001 至 2003
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-13610532/
• 关键词: Mao-ist Model; Modern woman; Iron girls; 北京ビエンナーレ; 美術の異化作用; 革命模範劇; 革命模範画; 革命伝統; 社会主義リアリズム; パフォーマンス・アート; 前衛芸術; 地下芸術; 肉としての身体; 自国文化の客体化; 女性アート; 中国のパフォーマンスアート; イノセント

I have collected materials and analyzed the research topic as indicated in the original research plan. In the academic year of 2001, I explored processes in which several elements such as beauties drawn in the calendars of the 1930s, peasant arts and Socialist Realism were absorbed into the Maoist Model. In the academic year of 2002, I revealed the characteristics of the Maoist Model, and defined how it was utilized and transformed in modern art.*** academic year 2001, 1 have published the outcome of the researches on "South Korea Gwangju Biennale 2000" (for which I co-researched with Shiseido Gallery, Mito Art Museum and NTT Inter-Communication Center), and on modern art in Beijing. Also, in the academic years of 2002 and 2003, could consult, copy and collect the following materials at the library of the Institute of Literature, Chinese Academy of Social Sciences, at the University of Beijing : before the Foundation, graphic magazines such as Illustrated Times, Ladies' Pictorial ; and after the Foundation, graphic magazines such as Chinese Ladies, Hygiene of Mother and Child, Liberation Army's Pictorial, The Soviet Union, Soviet Women.It has been confirmed through the available images that a "modern woman" depicted in the 1930s city culture lost its femininity and was transformed into a masculinized "iron daughter" in the Maoist Model.I have also collected and sorted out the books, articles and visual materials (VCD/DVD/CD) on the Maoist Model. My research so far executed is, however, of a fundamental nature and I shall need to research widely and also need to look at it in detail. My next theme is, therefore, to capture the image of women in the post-1930s period and to write a historical account of women culture. This will reveal the changes in political and economic system, and the transformation of the mass consciousness, in the period mentioned above.

我已经收集了材料并分析了原始研究计划中所示的研究主题。在2001年的学年，我探索了过程，在这些过程中，在1930年代日历中绘制的美女等几个要素，农民艺术和社会主义现实主义被吸收到毛主义模型中。 In the academic year of 2002, I revealed the characteristics of the Maoist Model, and defined how it was utilized and transformed in modern art.*** academic year 2001, 1 have published the outcome of the researches on "South Korea Gwangju Biennale 2000" (for which I co-researched with Shiseido Gallery, Mito Art Museum and NTT Inter-Communication Center), and on modern art in Beijing.同样，在2002年和2003年的学年，可以在北京大学中国社会科学学院文学学院图书馆咨询，复制和收集以下材料：在基金会之前，在基金会之前，图形杂志（如插图时代），女士的图画；在基础之后，图形杂志，例如中国女士，母亲和儿童的卫生，解放军的绘画，苏联，苏联妇女。它通过可用的图像得到了证实，这是通过可用的图像证实，即1930年代城市文化中“现代女性”所描绘的，其女性气质失去了女性气质，并被变成了墨西哥式的“铁材料”和“ colleist and Tublice collectect”。 （VCD/DVD/CD）在毛主义模型上。但是，到目前为止，我执行的研究是一种基本性质，我需要广泛研究，还需要详细研究它。因此，我的下一个主题是在1930年代后期捕捉女性的形象，并撰写有关女性文化的历史记载。这将揭示上述时期的政治和经济体系的变化以及大规模意识的转变。

项目成果

MAKI YOICHI: "Breaking off the Fetters"Wave of Beauty (Shinano Dairy Press). (2003)

MAKI YOICHI：“挣脱束缚”美之波（信浓乳业出版社）。

MAKI YOICHI: "Exploring the Depth of Chinese Art"Bijutsu Techo. Vol.53 No.811. 78-81 (2001)

MAKI YOICHI：“探索中国艺术的深度”Bijutsu Techo。

牧 陽一: "中国現代アートに現れた「中華」"ユリイカ(青土社)2003年1月号. 35巻1号. 208-217 (2002)

槙洋一：“中国当代艺术中的‘中国’”《尤里卡》（Seidosha）2003年1月号，第35卷，第1期，208-217（2002年）。

牧 陽一: "北京のパフォーマンス会場に警察が乱入"『BT美術手帖』2001年2月号. 53巻800号. 146-147 (2001)

槙洋一：《警察闯入北京演出场地》BT Bijutsu Techo 2001 年 2 月号，第 53 卷，第 800 期。146-147（2001 年）。

牧陽一: "中国・古風な前衛"WALK(水戸芸術館ACM劇場). 42号. 52-61 (2001)

槙洋一：《中国的老式前卫》WALK（ACM剧场，水户艺术塔）No. 42. 52-61 (2001)。