Meiji Restoration and Changes of Kyoto Culture Modern Reorganization and Homogenization of <Japanese Culture> in 19th.

明治维新与京都文化的变迁19世纪<日本文化>的近代重组与同质化。

• 批准号: 13610381
• 负责人: TAKAGI Hiroshi
• 金额: $ 2.43万
• 依托单位: KYOTO UNIVERSITY
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2001
• 资助国家: 日本
• 起止时间: 2001 至 2003
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-13610381/
• 关键词: Meiji Restoration; Kyoto Culture; Kamo Festival; cherryblossom; Kyoto Imperial palace; nationalism; Nara; 藤波言忠; 葵祭; 賀茂別雷神社; 皇室財産; 京都御所取調書; 朝廷; 京都; 古都; 文化財; 天皇制; 京都御苑; 陵墓; 史跡; 「伝統」; 天皇; 政治文化; 観光; 天皇陵; 正倉院

This study of Meiji Restoration and changes of Kyoto Culture aims to demonstrate five statements: 1) Through analyzing documents, such as Hinami, a diary which was written from the seventeenth century to the twentieth century and kept in Kamowakeikazuchi Shrine, it becomes clear that Kamo Festival changed its characteristics from the imperial court festival out of <the court ritual-parade-the shrine ritual> in the premodern era to shrine festival, separated from Tokyo imperial palace in the modern era. 2) While Higashiyama, Arashiyama and famous sights for cherryblossom in the court residence were originally related to historicity and tales in the premodern period, they became tied to nationalism with the spread of Someiyoshino and new famous sights were created in this process. 3) Entertainers and magicians who were despised as humble social status such as Onmyoji, monkey showman (Sarumawashi), and Senzumannzai were necessary for emperors in the premodern era. This study verified it through examining rituals of celebrating January and Onmyoji service in Tennnodaigawari ritual (ritual of Emperor enthronement), 4) this study offers deeper understanding of the development of laws for historical preservation in Nara and Kyoto, two old capitals of Japan and the establishment of Japanese art history with periodization such as Tenpyo culture and Kokufu culture. 5) The structure of Dairi (the emperor residence) surrounded with Nine gates (Kyumon) was elucidated. Dairi was open space with common people free access, and the front of Kugyoumon (Gishumon) was a sight for sightseeing. Also, there were a number of cases that people entered the imperial palace and enjoyed a number of annual events such as Setsubun, Obon, and Enthronement ritual. In this report, related to this theme, <Kyotogoshotorisirabesho (study of Kyoto imperial palace)> was reprinted.

这项关于明治维新和京都文化变迁的研究旨在论证五种说法：1）通过分析文献，例如保存在鸭分叶土神社的日南日记（Hinami），该日记是从十七世纪到二十世纪写的，可以清楚地看出加茂祭典的性质由前近代的“宫廷祭祀-游行-神社祭祀”的宫廷祭典转变为近代与东京皇宫分离的神社祭典。 2）东山、岚山、宫廷樱花名胜原本与前现代时期的历史和传说有关，但随着染井吉野的传播，它们与民族主义联系在一起，并在此过程中创造了新的名胜。 3）阴阳师、猿猴、千头万哉等被鄙视的低贱艺人、魔术师，是近代皇帝所必需的。本研究通过考察天皇台河里仪式（天皇即位仪式）中庆祝一月和阴阳师仪式的仪式来验证这一点，4）本研究提供了对日本和京都两个古都奈良和京都历史保护法律发展的更深入的了解。日本美术史的确立，包括天平文化、国风文化等分期。 5）阐明了由九门（Kyumon）包围的大里（皇帝住所）的结构。大里是平民可以自由出入的开放空间，而公牛门（义树门）的前面则是观光景点。此外，还有许多人们进入皇宫并享受节分、盂兰盆节和登基仪式等一系列年度活动的情况。本报告中，转载了与这一主题相关的《京都御所研究》。

项目成果

Hiroshi Takagi, ed.: "Cultural properties and Modern Japan"Yamakawa Shuppansha. (2002)

高木浩主编：《文化财产与现代日本》山川书盘社。

Hiroshi Takagi: "Formation of Art history of Japan/ Art history of Korea"Going over National History, (Humanist Printed in Korea). 165-196 (2004)

高木浩：《日本艺术史/韩国艺术史的形成》回顾国家历史，（韩国人文主义印刷）。

高木博志: "世界文化遺産と日本の文化財保護史"園田英弘編『流動化する日本の「文化」』日本経済評論社. 57-80 (2001)

高木浩：《世界文化遗产与日本的文化财产保护史》，园田秀宏主编，《日本的流动文化》，日本经济孝论社57-80（2001）。

Hiroshi Takagi: "World cultural heritage and history of protecting cultural properties in Japan"Changing of Japanese culture, (Hidehiro Sonoda, ed.),( Nihon Keizai Hyoronsha). 57-80 (2001)

高木浩：《世界文化遗产和日本文化财产保护史》《日本文化的变迁》（园田秀宏主编），（日本经济孝论社）。

高木博志: "近世の内裏空間・近代の京都御苑"岩波講座 近代日本の文化史. 2. 274-310 (2001)

高木浩：“近代早期大里空间/现代京都御苑”岩波近代日本文化史讲座。2. 274-310 (2001)