Historical study on the relationship between literature and political ideology under Soviet Totalitarianism

苏联极权主义下文学与政治意识形态关系的历史研究

基本信息

批准号：
11610543
负责人：
KAMEYAMA Ikuo
金额：
$ 2.3万
依托单位：
Tokyo University of Foreign Studies
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
1999
资助国家：
日本
起止时间：
1999 至 2001
项目状态：
已结题

项目摘要

2) How the reality of the First Five-year Plan and Farm collectivization were represented in the works of Andrei Platonov who passively supported the Stalin regime and what changes are observed in his Utopian perspectives as represented in these works.This project aimed to investigate the relationship between literature and political ideology under the Totalitarian state in the Soviet Union. Its particular focus was on the works of literature and art during the twenty years between the beginning of Stalin regime in the late 1920s and Zhdanov anti-formalist campaign after World War II. Through examination of previous works and primary data from archives and trial records which only became available since Perestroika, the study investigated the following six topics :1) The 'feigned allegiance' (or double tongue) as means of resistance in the works of the Michail Bulgakov (writer) and Osip Mandelshtam (poet) under the Stalin regime.3) The strategies of survival used in the works of a forbidden poet Anna. Akhmatova under the great suppression by censorship, and the meaning of "maternity" and "memory" in her poem ' Requiem'.4) The ontological meaning of the death of Vladimir Mayakovsky (poet) and Maxim Goliky (writer) both of who met a violent death (committed suicides or was killed) under the Totalitarian state.5) The relationship between Stalin's power and its representation in genres other than literature, that is, music (Dmitry Shostakovich) , film (Sergei Eisenshtein) , and photography(Alexander Rodchenko) , whether they reconciled with Soviet Totalitarianism or resisted it.6) The logic of 'resistance' and post-modernism in the literary works of Vladimir Sorokin and artistic works of Ilia Kabakov after anti-Stalinism as well as the significance of Totalitarian tendencies observed in these works.

2）被动拥护斯大林政权的安德烈·普拉东诺夫的作品中如何体现了第一个五年计划和农场集体化的现实，以及这些作品中所体现的他的乌托邦观点发生了哪些变化。苏联极权国家下文学与政治意识形态的关系它特别关注从20年代末斯大林政权开始到二战后日丹诺夫反形式主义运动这二十年间的文学和艺术作品。通过检查以前的作品以及自改革以来才获得的档案和审判记录中的原始数据，该研究调查了以下六个主题：1）米凯尔作品中作为抵抗手段的“假装效忠”（或双舌）斯大林政权下的布尔加科夫（作家）和奥西普·曼德尔施塔姆（诗人）。3）被禁止的诗人安娜作品中使用的生存策略。审查制度严酷镇压下的阿赫玛托娃，以及她的诗《安魂曲》中的“母性”和“记忆”的意义。 4）弗拉基米尔·马雅可夫斯基（诗人）和马克西姆·戈利基（作家）两人相遇之死的本体论意义极权国家下的暴力死亡（自杀或被杀）。5）斯大林的权力与其在文学以外的流派（即音乐）中的表现之间的关系（德米特里肖斯塔科维奇）、电影（谢尔盖·艾森斯坦）、摄影（亚历山大·罗德琴科），无论是与苏联极权主义和解还是反抗。6）索罗金文学作品和伊利亚艺术作品中的“抵抗”逻辑和后现代主义卡巴科夫在这些作品中观察到了反斯大林主义之后的极权主义倾向的意义。