Research on how an aesthetic thought emerges from philosophical interest and thinking

美学思想如何从哲学兴趣和思维中产生的研究

• 批准号: 11610056
• 负责人: HAMASHITA Masahiro
• 金额: $ 1.09万
• 依托单位: Kobe College (Kobe Jogakuin Daigaku)
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 1999
• 资助国家: 日本
• 起止时间: 1999 至 2000
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-11610056/
• 关键词: philosophical thinking; establishment of aesthetics; NISHI Amane; NISHIDA Kitaro; logic of place; WATSUJI Tetsuro; プラトン; 美学; アラン; ヒューム

The following five papers are the result and accomplishments of the research project.1) Hamashita Masahiro : "Nishi Amane and his Coinage of the Translated Term for 'Philosophy'"2) Hamashita Masahiro : "Taste and Novelty-From the Viewpoint of Modernity of Japan-"3) Takahashi Masahito : "Aesthetics and Ethics in WATSUJI Tetsuro"4) Takahashi Masahito : "The Role of Water in WATSUJI Tetsuro's Katsurarikyu"5) Yoneyama Masaru : "Creative Chora and Aesthetics of Place"It is proved from the accomplishments that there is a variety of styles and types in establishing an aesthetics. Hamashita clarifies the effort of Nishi Amane for translating categories of Western learning into Japanese and his utilitarian way of treating aesthetics (paper 1) and that modern Japan experienced the conflict between traditional taste and the novelty provoked by things western, leading to emergence of new taste (paper 2). Takahashi, arguing about the meaning of aesthetic thought of Watsuji, claims that Watsuji's interest in aesthetics caused a confrontation against ethics but eventually produced a concept of community as a base of artistic activity (paper 3), and that in Watsuji's Katsurarikyu the function of water in the beauty of whole garden is instrumental and only efficient (paper 4). Yoneyama's paper makes it clear that Shimizu Hiroshi suggests the concept of creative place. elaborated from the logic of place by Nishida Kitaro, as a key concept which will combine philosophy. in for matics and aesthetics by definig beauty as creation of new information (paper 5).

以下五篇论文是该研究项目的成果和成果。1) 滨下正宏：《西天音及其对“哲学”翻译术语的创造》2) 滨下正宏：《趣味与新奇——从现代性的角度看》日本-》3）高桥正仁：“和筋哲郎的美学与伦理”4）高桥正仁： 《和辻哲朗《桂离宫》中水的作用》5）米山胜：《创意合唱与场所美学》从成就中证明，建立美学有多种风格和类型。滨下阐明了西天音将西学范畴翻译成日语的努力和他对待美学的功利主义方式（论文1），以及现代日本经历了传统品味与西方事物所引发的新奇之间的冲突，导致新品味的出现（论文2）。高桥在论证和津司美学思想的意义时，声称和津司对美学的兴趣引起了与伦理的对抗，但最终产生了作为艺术活动基础的共同体概念（论文3），并认为和津司的《桂离宫》中水的功能在整个花园的美丽中是有帮助的，而且只有效率（论文 4）。米山的论文明确表明清水浩提出了创意场所的概念。西田几多郎从场所逻辑出发阐述了这一概念，并将其作为与哲学相结合的关键概念。通过将美定义为新信息的创造（论文 5），进入了数学和美学领域。

项目成果

Yoneyama Masaru et al.: "Le Provocazioni dell'Estetica"Trauben. (2000)

米山正等人：《Le Provocazioni dellEstetica》Trauben。

高橋雅人: "哲学者たちの洞窟への帰還に関する一つの覚書き"神戸女学院大学論集. 46巻2号. 27-38 (1999)

高桥正人：《关于哲学家重返洞穴的笔记》《神户女学院大学学报》，第 46 卷，第 27-38 期（1999 年）。

浜下昌宏 他: "近代イギリス倫理学と宗教"晃洋書房. 319 (1999)

Masahiro Hamashita 等：《现代英国伦理与宗教》Koyo Shobo 319 (1999)。

Takahashi Masahito: "Puraton jonen-ron no kitei tositeno tamasii no bubun-setu ni tuite" (On the Division of Soul as the Basis of Plato's Thought on Passions)"Kobe College Studies. vol.47, no.1. (2000)

高桥正人：“Puraton jonen-ron no kitei tositeno tamasii no bubun-setu ni tuite”（论作为柏拉图激情思想基础的灵魂的划分）“神户大学研究。第47卷，第1号。（2000年）

浜下昌宏: "遊びの美意識"神戸女学院大学論集. 46. 119-131 (1999)

滨下正宏：《游戏美学》神户女学院大学学报。46. 119-131 (1999)。