Aesthetics from Science of National Literature with a special reference to Okazaki Yoshie's concept of Science of Japanese Literature (Nihon Bungei-gaku)

来自国文学学的美学，特别参考冈崎义惠的日本文学学概念（日本文学学）

• 批准号: 17520100
• 负责人: HAMASHITA Masahiro
• 金额: $ 1.6万
• 依托单位: Kobe College
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2005
• 资助国家: 日本
• 起止时间: 2005 至 2006
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-17520100/
• 关键词: kokubun-gaku; history of kokubun-gaku; modern Japanese aesthetics; Okazaki Yoshie; nihon-bungeio-gaku; 思想史; 美学; 文学論

With a broader research interest in how to construct indigene Japanese aesthetics in mind, this research project tries to clarify OKAZAKI Yoshie's interesting challenge to establish an innovative science of Japanese literature. He called it as "Nihon Bungei-ron" (science of Japanese literature). National learning ("koku-gaku") has had a long history, which transformed into science of national learning and literature ("kokubun-gaku") in the Meiji era, following the style and form of Western learning. In other words, "koku-gaku" was also requested to be modernized. Haga Yaichi was a great scholar who promoted the conceptual change of "koku-gaku", trying to rearrange the tradition of "koku-gaku" in the direction of philology. Okazaki was one of his students, but he could not agree with Haga in that Haga's proposal of "kokubun-gaku" seemed to retain still the character of "koku-gaku" and various fields relating to study on Japanese literature such as folklore, anthropology, linguistics, etc. Instead, Okazaki suggests the concept of "kokubun-gaku" as a research on the meaning of literature ("bungei"). Okazaki made use of accomplishments of Literaturwissenschaft in Germany to systematize science of literature. To him, aesthetics of literature in Western learning seemed to be proposing a rational way of conceptualization, a systematic order of literature studies as a discipline, a critical attitude to literature and its studies, etc., those elements of which would contribute deconstruction of the limit of Japanese scholars' and academic world's mentality to update the science of Japanese literature.

怀着对如何构建日本本土美学的更广泛的研究兴趣，本研究项目试图阐明冈崎芳江建立日本文学创新科学的有趣挑战。他称之为“日本文学论”（日本文学科学）。国学有着悠久的历史，明治时代沿袭西学的风格和形式，转变为国学和文学的科学。换句话说，“国学”也被要求现代化。羽贺弥一是推动“国学”概念转变的伟大学者，试图将“国学”传统重新排列到语言学的方向。冈崎是他的学生之一，但他不能同意羽贺的观点，因为羽贺提出的“国分学”似乎仍然保留了“国分学”的性质以及与日本文学研究有关的各个领域，如民俗学、人类学相反，冈崎提出了“kokubun-gaku”的概念作为对文学意义（“bungei”）的研究。冈崎利用德国文学科学的成就，将文学科学系统化。在他看来，西学文学美学似乎提出了一种理性的概念化方式、文学研究作为一门学科的系统秩序、对文学及其研究的批判态度等等，这些要素将有助于解构文学研究。日本学者和学术界更新日本文学科学的心态有限。

项目成果

西周と日本の近代

西周与近代日本

• 发表时间: 2005
• 作者: Shiro;KOHSAKA;高坂 史朗;〓(高坂 史朗);綱澤 満昭;高坂 史朗;高坂史朗;高坂 史朗;綱澤 満昭;高坂史朗(呉光輝訳);高坂史朗;藤田 正勝;宇野 重昭;高坂史朗;高坂史朗
• 通讯作者: 高坂史朗

How to cultivate a good eye for good art

如何培养欣赏艺术的好眼光

• 发表时间: 2006
• 期刊: 第13回日韓美学研究会報告書
• 作者: 岸 文和;Fumikazu KISHI;岸 文和;Fumikazu KISHI;岸 文和;岸 文和(近畿大学日本文化研究所);岸 文和(近畿大学日本文化研究所);岸文和(共著);岸 文和(近畿大学日本文化研究所);岸文和(共著);浜下 昌宏;Masahiro Hamashita;Masahiro Hamashita;Masahiro Hamashita;浜下昌宏;浜下 昌宏;Masahiro Hamashita
• 通讯作者: Masahiro Hamashita

International Institute of Philosophy, ed., Contemporary Philosophy Vol.9(Asrhrtics and Philosophy of Art)

国际哲学研究所主编，《当代哲学》第9卷（阿斯利康学与艺术哲学）

• 发表时间: 2007
• 作者: Masahiro HAMASHITA;et al.
• 通讯作者: et al.

主体の学としての美学-近代日本美学史研究-

美学作为一门学科的研究 - 日本近代美学史研究 -

• 发表时间: 2007
• 作者: Masahiro Hamashita;et al.;濱下 昌宏
• 通讯作者: 濱下 昌宏

Paradox of Eco-Aesthetica : Defeat of Modernism, Revival of the Pre-Modern and Prospect of Post-Modernity (in Chinese version)

生态美学的悖论：现代主义的挫败、前现代的复兴与后现代的展望

• 发表时间: 2006
• 期刊: 人与自然 : 当代生態文明視野中的美学与文学 (曽繁仁 編)(河南人民出版社)
• 作者: 岸 文和;Fumikazu KISHI;岸 文和;Fumikazu KISHI;岸 文和;岸 文和(近畿大学日本文化研究所);岸 文和(近畿大学日本文化研究所);岸文和(共著);岸 文和(近畿大学日本文化研究所);岸文和(共著);浜下 昌宏;Masahiro Hamashita;Masahiro Hamashita;Masahiro Hamashita;浜下昌宏;浜下 昌宏;Masahiro Hamashita;Masahiro Hamashita
• 通讯作者: Masahiro Hamashita