A Comparative Study of the Relationship between Literature and Pictures in China, Korea, and Japan

中、韩、日文学与图像关系比较研究

基本信息

批准号：
09610446
负责人：
HAYASHI Masahiko
金额：
$ 1.86万
依托单位：
MEIJI UNIVERSITY
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
1997
资助国家：
日本
起止时间：
1997 至 1998
项目状态：
已结题

项目摘要

From point of view of iconology Prof. Hayashi, Hikita, Higo, and Associate Prof.Watari tudied Buddhist narrative literature. Similarly Prof. Tokuda and Lecturer Ikezawa studied Confucian narrative literature, and analyzed the literary paintings (Chinese style landscape paintings)Prof. Hayashi and Associate Prof. Watari visited Dazu, Chongging in China, and surveyed several famous stone caves as Bao ding shan, Bei shan, etc.. They both attended a lecture by Mr. Guo Xiang Ying of the curator of the Dazu Caved Stone Museum. That led Prof.Hayashi to write a paper on Goshushoshirir (a five-cornered Buddhist picture in a circle showing the zther five worlds). Prof. Hinata investigated the development of Nigabyakudo (one of the patterns of Jodoism paintings) and compared the Shamanism of Japan with that of Korea as he exchanging views on Jodoism among Korean scholars and Chinise scholars. He investigated how the narrative of Tenningosui (the five symptoms of aging for heavenly beeings) influenced on The Tale of Genji.Associate Prof. Watari pointed it out that Sainokawara (the Children's Limbo) shows the paticular thought of the other world among the Japanese people, and heProf. Tokuda considered Nijyushiko (twenty-four stories of filial duty) from the point of view of the comparative literature and analyzed that from both Japanese and Chinese angles. He also studied those illustrations.Lecturer Ikezawa visited Yang zhou in China, where those literary painters who were called Yang zhou Ba quai used to live, and he collected materials of the literary paintings for study. He studied Chinese poetry, the literary paintings and the spirit of the literary artists, and he brought the tripartite relation among them into sharp relief.

林教授、引田教授、肥后教授和渡副教授从图像学的角度对佛教叙事文学进行了研究。同样，德田教授和池泽讲师研究了儒家叙事文学，并分析了文学画（中国风格的山水画）。林和渡副教授访问了中国重庆大足，考察了宝顶山、北山等多个著名石窟，并聆听了大足石窟博物馆馆长郭向英先生的讲座。这促使Hayashi教授写了一篇关于Goshushoshirir（五角佛画圆圈显示五个世界）的论文。日向教授考察了净土教绘画图案之一的二白画的发展，并比较了日本和韩国的萨满教，并与韩国学者和中国学者交换了对净土教的看法。他研究了天人寿叙事对《源氏物语》的影响。渡副教授指出，《西之河原》展现了日本人特有的异世界思想。和他教授。德田从比较文学的角度来思考二十四孝故事，并从日本和中国的角度进行分析。他还研究了这些插图。池泽讲师访问了中国扬州，那里是被称为扬州八魁的文学画家曾经居住的地方，他收集了文学绘画的资料进行研究。他研究中国诗歌、文学绘画和文学艺术家的精神，将它们之间的三者关系表现得淋漓尽致。