Knowledge practices in Rome around 1700. Giovan Pietro Bellori, Francesco Bianchini and Filippo Antonio Gualtieri`s “Museo delle cose antiche" and the Cultural Hierarchization of Objects.

1700 年左右罗马的知识实践。Giovan Pietro Bellori、Francesco Bianchini 和 Filippo Antonio Gualtieri 的“Museo delle cose antiche”和物体的文化等级化。

• 批准号: 525215966
• 负责人: Professorin Dr. Elisabeth Oy-Marra
• 金额: --
• 依托单位: Professur für Kunstgeschichte der Frühen Neuzeit
• 依托单位国家: 德国
• 项目类别: Research Grants
• 资助国家: 德国
• 项目状态: 未结题
• 来源: https://gepris.dfg.de/gepris/projekt/525215966?language=en
• 关键词: Knowledge; practices; Rome; around; 1700.

The project examines the selection and hierarchization of artifacts of different cultural provenance in the context of the generation, systematization, and ordering of knowledge, invoking the categories of inquiry for a history of knowledge established by Philipp Sarasin (Sarasin 2011), who also highlighted the importance of forms of representation and their mediality. Subproject 1 is devoted to a reconstruction of the encyclopedically oriented collection of Cardinal Filippo Antonio Gualtieri (1660-1724), which has so far only been rudimentarily researched and which consisted of antiquaria from various cultures. Subject of the reconstruction will be the presentation of the collection in the Palazzo Manfroni in Rome, which had fundamentally broken away from the aesthetics of wonder introducing a new system of order according to groups of objects and their provenance. In doing so, the project raises questions about the orders of knowledge reflected in its display. This analysis is complemented by a second project, which examines the mediality of antiquarian knowledge, i.e., its re-presentation forms of showing in the medium of prints and its associated visual and aesthetic practices in Rome in the second half of the 17th century and the early 18th century. This will be primarily based on the Corpus Bellorianum, as well as Athanasius Kircher's Oedipus Aegyptiacus and his China Illustrata, as well as Bianchini's Istoria Universale and Montfaucon's Antiquité expliquée, with particular attention to Bellori's, Bianchini's, and Montafaucon's statements on aesthetics and image theory. The analysis has the goal to find out the epistemic preconditions that were decisive for the selection and hierarchization of antiquarian knowledge. Furthermore, the project will reveal to what extent these practices were in the service of the assertion of the cultural-political significance of Roman antiquity around 1700. Taking into account the display of the Gualtieri collection as well as the broad mediality of Roman antiquity around 1700 the project aims to uncover the underlying knowledge practices of the presentation of the collection as well as the mediality of antiquarian knowledge and its aesthetics and epistemic presuppositions. This will be done in order to clarify the question of the extent to which the visual and aesthetic practices stated here promoted a material selection and hierarchization of objects and its cultural-political effects.

该项目在知识的订购中审查了不同文化出处的分层，援引菲利普·萨拉森（Philipp Sarasin）建立的知识的询问类别（Sarasin 2011）列出了代表形式的重要性和内侧1的重要性。对于重新定向的集合cardinal Filippo Antonio Gualtieri（1660-1724），到目前为止，它仅进行了研究，并且由Antiquaria组成，其中一些文化将是一个新的培养物。对象的对象的关闭系统。关于其显示中所述的ordedge的系统。罗马在第17个中心和第18个中心的练习。对于选择古董知识而决定性的认知离子的目标是为罗马古董的文化政治意义提供服务。对f的知识作为古物知识和哮喘和认知的预设的内在性。