The Terracotta Figurines from Assur of the Museum of Near Eastern Archaeology in Berlin, Dating from the Early Dynastic til the Parthian Time

柏林近东考古博物馆的阿苏尔兵马俑，其历史可追溯至早王朝至安息帝国时期

• 批准号: 433053450
• 负责人: Professor Dr. Johannes Renger (†)
• 金额: --
• 依托单位: Institut für Altorientalistik
• 依托单位国家: 德国
• 项目类别: Publication Grants
• 财政年份: 2019
• 资助国家: 德国
• 起止时间: 2018-12-31 至 2019-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/433053450?language=en
• 关键词: Terracotta; Figurines; Assur; Museum; Near

The volume presents all terracotta figurines from Assur now housed in the Vorderasiatisches Museum in Berlin. They come from the excavations of the Deutsche Orient-Gesellschaft in Assur during the years 1903 til 1914. A general introduction is addresses questions of the techniques of forming and the designing of anthropomorphic figurines, animals and different objects like chariots or wagons and domestic furniture. Singular for the terracotta figurines from Assur is the fact that they are handmade not by molding. Only handmade terracotta figurines permit an individual forming of garments of anthropomorphic figurines. Discussed are questions regarding the time terracotta figurines were made and resulting questions of stylistic developments over time. The main part of the volume is the descriptive and bibliographically annotated catalogue of the nearly 1900 terracotta figurines from Assur in the Vorderasiatisches Museum. All figurines are newly photographed mostly in two or three perspectives thus setting an example for future treatments of terracotta figurines.

该卷介绍了目前位于柏林Vorderasiatisches博物馆的Assur的所有兵马俑雕像。它们来自1903年至1914年的Assur的Deutsche Orient-gusellschaft的发掘。一般介绍是解决形成技术的问题以及拟人化象征的技术，动物，动物和不同物体（如chariots或chariots or Chariots or chariots or and Wagons and wagons and wagons and werefority and werefority and werefority and werefitial and the。 Assur的Terracotta小雕像的单数是事实是，它们不是通过成型手工制作的。只有手工制作的兵马俑才允许单独形成拟人化雕像的服装。讨论的是有关陶土小雕像的时间，以及随着时间的流逝而产生的风格发展问题。该卷的主要部分是来自Vorderasiatisches博物馆的Assur的近1900台Terracotta雕像的描述性和书目注释的目录。所有雕像都新近以两个或三个观点的形式新照片，从而为未来的陶土雕像疗法树立了一个例子。