Heimat globally

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• 批准号: 414317568
• 负责人: Professor Dr. Jens Jäger
• 金额: --
• 依托单位: Abteilung Neuere Geschichte
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2018
• 资助国家: 德国
• 起止时间: 2017-12-31 至 2021-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/414317568?language=en
• 关键词: Heimat; globally

In recent studies local forms of collective identification are explored in a global perspective. They are scrutinized in their relation to regional and national (and imperial) forms of identification. Scholarship of the last fifteen years suggests that national, regional and local identities continued to exist simultaneously, overlapping and contrasting with one another in complex ways but it remains difficult to set up an analytical framework to research these processes.The aim of the project to discuss such a framework. On the basis of the extensive research on the German concept of "Heimat", which identified its forms, contents, institutions, protagonists and visualisations, a model can be described to recognize similar processes in non-German societies. However, the concept of “Heimat” needs to be reconsidered as one form of spatial identity in relation to nationalism and globalization as a condition to reconcile the differing identities creating the multiple identities which seem to be the norm in societies and political entities in the nineteenth and twentieth centuries. A growing body of local and regional studies has already shown that such processes were by no means a German Sonderweg (similar discourses unfolded in the United Kingdom/British Empire referring to "home"/"Homeland" in Spain to "tierruca" or "terruño", or in France to "petite patrie", just to name but a few examples). In sociological and cultural anthropological research even the German concept of “Heimat” is described as a universal concept. In this view, the project suggests to develop a descriptive tool which allows analysing similar movements in modernising societies.The development of the amateur photography movement around 1900 serves as an example. This movement unfolded in local contexts but understood itself as a national and even transnational movement. Photography contributed massively to the visualisations of the local as of the national (and imperial) and popularized them. It contributed also to the iconography of the local which manifested itself not only in the contemporary media but in postcards.Thus the project develops a new perspective on local, national and global forms of collective identification in the nineteenth and twentieth centuries. The example reviews the capacities of this perspective.

在最近的研究中，集体的位置形式是在全球范围内（和帝国）的识别。该项目是根据对德国的“海马特”概念进行的广泛研究，这是形式，直觉，主角和可视化的，但是可以在非德国社会中认识到类似的SES。 “ Heimat”的概念必须被重新考虑为与民族主义和全球化有关的一种空间身份形式，作为一种不同的Creatity Creatity Creatity Identities Identities Identities Identities Identities Cieties cieties cieties cieties and Ince and Ince Inse and Ince case ca。 “或“terruño”，或在法国“娇小的patrie”，仅举几个例子）。在德语和文化研究事件中，“ is is dispriptry”的概念是“ IS Discorment”的观点，该项目建议开发工具，以开发允许的工具分析现代化的社会运动。仅在临时媒体中，但在明信片中。因此，这些项目对本地，国家和全球收集形式的新观点和二十一世纪的典范。